Although fellow violinist Stephane Grappelli is billed as co-leader, this is very much L. Subramaniam's date. All eight compositions (except for Grappelli's solo piano rendition of his "Tribute to Mani") are by Subramaniam, and the music (which utilizes electronics, modern rhythms, and the influence of Mani's Indian heritage) is quite unusual for a Grappelli session. Altoist Frank Morgan helps out on "Memories," and other sidemen include such notables as keyboardist Joe Sample and guitarist Jorge Strunz. The contrast between the two surprisingly complementary violinists is a strong reason to acquire this CD.
Doremi may not be Hawkwind's most renowned album, but it carries the same type of prog rock spaciness as their first two releases. Even though the keyboard playing is trimmed down just a tad, the introduction of Ian Kilmister, otherwise known as Lemmy of Motцrhead fame, makes up for it. With Lemmy's hard-lined guitar playing and Del Dettmar's synthesizer stabs, tracks like "Space Is Deep" and "The Watcher" are infused with elaborate instrumental meanderings in perfect Hawkwind fashion. The longer tracks, both "Brainstorm" and "Time We Left This World Today," have Lemmy getting settled in the band's extraordinary milieu, but end up being the album's strongest cuts.
Time is the ninth studio album by English rock band Electric Light Orchestra. It topped the UK Albums Chart for two weeks. Time is a concept album written about a man from the 1980s who is taken to the year 2095, where he is confronted by the dichotomy between technological advancement and a longing for past romance. Time is a work of synth-pop that combines elements from 1950s music, new wave, reggae, rockabilly, the Beatles, Phil Spector and the Shadows. The album signalled a departure from the band's sound by emphasising electronics over its usual orchestra.
First Human Ferro (FHF), a Ukrainian dark ambient project organized by Olegh Kolyada back in summer 1998, with first field recordings being experienced yet in winter 1997. The debut raw experiments date back June-August 1998 when “The Halo over Pontiff’s Hearse” was recorded. A year later in 1999 FHF started musical manipulations with harsher sounds which resulted into “Metaballistik: Viewed under Infra-Red” session, known as Ukrainian exceptional death industrial material ever. Both above-mentioned albums were released on tapes and CD-Rs several times in limited editions in Ukraine and Poland. In 2000 a classical dark ambient album “Motherwards” was recorded, issued a year later as the first professional CD release of the project…