Electronics of Rock And Roll

French band formed in the 70's by guitarist and multi-instrumentalist Richard Pinhas (sometimes called the 'French Fripp'), synth player Patrick Gauthier, drummer François Auger and scores of other musicians dropping in and out over the course of six albums between '74 and '79. Their sound could best be described as a mixture of Frippian guitars with the cold, icy prog of KING CRIMSON and the hypnotic drones of CAN over a harsh, aggressive electronic background…

The Nels Cline Singers - Draw Breath (2007) {Cryptogramophone CG133}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 425 Mb | MP3 @320 -> 177 Mb | Artwork | 5% repair rar
© 2007 Cryptogramophone | ‎CG133
Jazz / Avant-Garde Jazz / Modern Creative / Guitar

Nels Cline has developed a very personal sound on guitar but musically he's a tough guy to pin down, playing everything from pure, noisy free improvisation to pure rock & roll. Fortunately, Cline has no interest in being pinned down, as the newest album from the Nels Cline Singers clearly shows. On Draw Breath, Cline and company (Devin Hoff on bass and Scott Amendola on drums and live electronics) shift gears stylistically on virtually every track (sometimes within the same track), highlighting Cline's singular guitar skills in a variety of contexts.

Carla Bozulich - Boy (2014) {Constellation CS1102-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 256 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 2014 Constellation | CS1102-2
Rock / Alternative Rock / Experimental Rock

Carla Bozulich states in the liner notes that Boy is her "pop" album. She knows the term is subjective. In her definition, the word reflects the multiple locations she wrote and recorded in, the numerous people encountered in her nomadic state of travel, and the various musical genres that can be – and often are – used to create pop. Bozulich doesn't "deconstruct" here. She uses vernacular song forms in an organic process of elocution and expression that makes something else of them while never quite emptying them of form or function. Instead, she finds the cracks that open them, and makes them bleed into others, ordered by an instinctive sense of aesthetic transgression that becomes creation. Boy was primarily written, produced, and played by Bozulich and John Eichenseer.