Elements June 2019

On their self-titled third album, CHON find themselves at the confluence of a great push and pull.Since forming in 2008 in San Diego, the trio — guitarists Mario Camarena and Erick Hansel and drummer Nathan Camarena — have become one of the most buzzed-about acts in the new era of progressive rock, on the back of more than 40 million Spotify streams and tours with the likes of Coheed and Cambria, Animals As Leaders and Circa Survive.

Reverberations from the Future and the Past: Just recently two brilliant minds of modern jazz celebrated a truly exceptional anniversary. David Liebman, the 1946 born saxophonist from New York and Richie Beirach, one year his junior and a leading exponent of the modern jazz-piano who, just as Liebman, came from New York and spent much of his life in Cologne, have literally met 50 years ago for the first time. Thus, the pair knows each other since 1969 and highly appreciates the work accomplished together. As it should be with two masters of their standing, they celebrated the special occasion with a small party and a major CD; on a double CD (released on JAZZLINE just as this recording) the two take on European classics of concert music, ranging from Johann Sebastian Bach to Bela Bartok, and tell stories full of reverences – how do these musical traditions of past centuries interact with the contemporary language of jazz and which inputs can the methods of jazz offer to the compositional stringency of the classical repertoire? It is indeed a wide subject Beirach and Liebman are exploring.

Monster is indeed R.E.M.'s long-promised "rock" album; it just doesn't rock in the way one might expect. Instead of R.E.M.'s trademark anthemic bashers, Monster offers a set of murky sludge powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords…