German progressive rock band formed in Hannover in 1969. They took their name from H.G. Wells' "The Time Machine", and sci-fi elements feature in much of their music, particularly the mid-to-late 1970's concept albums…
This is the debut recording from one of Germany's most accomplished progressive rock bands. The band was originally co-led by vocalist Erich Schriever and guitarist Frank Bornemann, and the two differed on musical direction, which is evident here…
2017 album from the German prog rockers. The Vision, The Sword and the Pyre is a rock opera about Joan of Arc. Composed, directed and produced by Frank Bornemann, the work is dedicated to the life and acts of the late Middle Age French heroine Joan of Arc, canonised in 1920, and combines unique musical complexity with absolute and unbiased historical precision. Eloy aside, Frank Bornemann is an acclaimed supervisor and producer of well-known bands of different musical stripes (including Scorpions, Guano Apes and Revolverheld).
German progressive rock band formed in Hannover in 1969. They took their name from H.G. Wells' "The Time Machine", and sci-fi elements feature in much of their music, particularly the mid-to-late 1970's concept albums…
The Tides Return Forever was Eloy's comeback and partial return to their progressive roots. Although firmly rooted in the AOR that was so dominant on preceding albums, one can really sense a remarkable improvement in the Eloy sound…
In 1978, Eloy released the double Live (squeezed onto one CD), at a time when most progressive bands were either going commercial or altogether disbanding. Eloy however were at the peak of their popularity in their homeland of Germany and most of their albums from 1976 to 1982 would sell over 200,000 copies. Rightly considered the German Pink Floyd, the band was famous for elaborate stage shows featuring copious laser lights, dry ice machines and plentiful pyrotechnics.
Live compiles some of the band's best loved compositions to date and very often, the live versions outshine their studio counterparts…
The Tides Return Forever was Eloy's comeback and partial return to their progressive roots. Although firmly rooted in the AOR that was so dominant on preceding albums, one can really sense a remarkable improvement in the Eloy sound….
After more than thirty years in the business of making quality music, EMI has finally released the definitive compilation of Eloy. It is mind boggling how underrated this band is, yet how original and creative they had been since their first 'proper' release for EMI's label 'Harvest' in 1973, an album called 'Inside'. They have been unfairly compared to Pink Floyd, Hawkwind and even Jethro Tull, (because they used the flute on couple of tracks in Inside, and because Future City has a bluesy feel!) which is quite ridiculous, and shows how little the music press and industry understands and appreciates progressive rock. When you listen to Eloy properly you will soon discover an original and total creative music world that is compared to none.
A new decade, a new lineup, with Frank Bornemann on guitar and vocals, Klaus-Peter Maziol (who stayed on from the previous lineup) on bass, Hannes Folberth on keyboards, Hannes Arkona on guitars, and British born drummer Jim McGillivray. This marked a new direction for the band, a more accessible, direct approach in their music…