Elton John Ballads

Elton John - Rock of the Westies (1975) [Audio Fidelity, 24 KT + Gold CD, 2012] (Repost)

Elton John - Rock of the Westies (1975) [Audio Fidelity, 24 KT + Gold CD, 2012]
EAC Rip | FLAC (image+.cue+log) - 283 MB | MP3 CBR 320 kbps (LAME 3.93) - 103 MB | Covers - 65 MB
Genre: Pop Rock, Classic Rock | RAR 3% Rec. | Label: Audio Fidelity (AFZ 149)

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim. The revamped band grew to include new associates James Newton Howard on keyboards and Kenny Passarelli on bass as well as drummer Roger Pope and guitarist Caleb Quaye, who had both performed with John as far back as his first long-player. (He also retained the services of guitarist Davey Johnstone and percussionist Ray Cooper from the most recent lineup)…

Elton John - Made in England (Vinyl) (1995) [24/192]  Vinyl & HR

Posted by ciklon5 at Feb. 5, 2025
Elton John - Made in England (Vinyl) (1995) [24/192]

Elton John - Made in England (Vinyl) (1995) [24/192]
FLAC (tracks), Lossless [24bit-192kHz] +Booklet | 52:39 | 2.1 Gb
Genre: Blues Rock

Made in England could as easily be the follow-up to Elton John's self-titled 1970 album as his first recording since the success of his songs for the Lion King soundtrack. John has brought back some of his old associates, including percussionist Ray Cooper, guitarist Davey Johnstone, and, particularly, orchestrator Paul Buckmaster, who gave the Elton John album its distinctive sound 25 years ago and contributes four string charts here. John remains a musical jukebox: "Please" has a twangy guitar riff that sounds like the Searchers, circa 1965, while guest organist Paul Carrack brings a soulful Booker T.-like feel to "Man." As usual, though, John's main vocal influence remains John Lennon, especially on the album's first single, "Believe," the lyrics to which also echo the tone of several of Lennon's solo ballads. Lyricist Bernie Taupin is unusually personal, writing mostly in short, simple, declarative sentences and giving his songs one-word titles ("House," "Cold," "Pain," etc.). His overall theme posits a positive conclusion ("Blessed") eventually triumphing over adversity ("Lies"). John never works up much feeling for this concept, though he does come off alternately angry and solemn as the lyrics seem to require, though without ever upsetting the melodic flow. It sounds, in other words, as if Taupin had a lot to get off his chest this time around, but his mouthpiece, as usual, was more interested in the sound of the words than in their meaning. Which, given the predictability of the message, seems to have been just as well.

Elton John - Made in England (Vinyl) (1995) [24/192]  Vinyl & HR

Posted by ciklon5 at Feb. 5, 2025
Elton John - Made in England (Vinyl) (1995) [24/192]

Elton John - Made in England (Vinyl) (1995) [24/192]
FLAC (tracks), Lossless [24bit-192kHz] +Booklet | 52:39 | 2.1 Gb
Genre: Blues Rock

Made in England could as easily be the follow-up to Elton John's self-titled 1970 album as his first recording since the success of his songs for the Lion King soundtrack. John has brought back some of his old associates, including percussionist Ray Cooper, guitarist Davey Johnstone, and, particularly, orchestrator Paul Buckmaster, who gave the Elton John album its distinctive sound 25 years ago and contributes four string charts here. John remains a musical jukebox: "Please" has a twangy guitar riff that sounds like the Searchers, circa 1965, while guest organist Paul Carrack brings a soulful Booker T.-like feel to "Man." As usual, though, John's main vocal influence remains John Lennon, especially on the album's first single, "Believe," the lyrics to which also echo the tone of several of Lennon's solo ballads. Lyricist Bernie Taupin is unusually personal, writing mostly in short, simple, declarative sentences and giving his songs one-word titles ("House," "Cold," "Pain," etc.). His overall theme posits a positive conclusion ("Blessed") eventually triumphing over adversity ("Lies"). John never works up much feeling for this concept, though he does come off alternately angry and solemn as the lyrics seem to require, though without ever upsetting the melodic flow. It sounds, in other words, as if Taupin had a lot to get off his chest this time around, but his mouthpiece, as usual, was more interested in the sound of the words than in their meaning. Which, given the predictability of the message, seems to have been just as well.

Elton John - Rock of the Westies (Vinyl) (1975) [24/96]  Vinyl & HR

Posted by ciklon5 at Jan. 28, 2025
Elton John - Rock of the Westies (Vinyl) (1975) [24/96]

Elton John - Rock of the Westies (Vinyl) (1975) [24/96]
FLAC (tracks), Lossless [24bit-96kHz] | 43:50 | 917 Mb
Genre: Pop Rock

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim.

Elton John - Rock of the Westies (Vinyl) (1975) [24/96]  Vinyl & HR

Posted by ciklon5 at Jan. 28, 2025
Elton John - Rock of the Westies (Vinyl) (1975) [24/96]

Elton John - Rock of the Westies (Vinyl) (1975) [24/96]
FLAC (tracks), Lossless [24bit-96kHz] | 43:50 | 917 Mb
Genre: Pop Rock

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim.

Elton John - Caribou (1974)  Music

Posted by v3122 at Jan. 1, 2022
Elton John - Caribou (1974)

Elton John - Caribou (1974)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DJM, 825 488-2 | ~ 279 or 107 Mb | Scans(jpg) -> 152 Mb
Pop Rock, Classic Rock

Glitzy showmanship is what fuels Caribou, a less successful album than its early-'70s predecessors. Though the shiny surface of the album is alluring, only a few tracks rank among John's best work. "The Bitch Is Back" is one of his best hard rock cuts and "Don't Let the Sun Go Down on Me" is one of his classic ballads, but the album tracks tend to be ridiculous filler on the order of "Solar Prestige a Gammon" or competent genre exercises like "You're So Static."…
Elton John - Rock of the Westies (1975) [Audio Fidelity, 24 KT + Gold CD, 2012] (Repost)

Elton John - Rock of the Westies (1975) [Audio Fidelity, 24 KT + Gold CD, 2012]
EAC Rip | FLAC (image+.cue+log) - 283 MB | MP3 CBR 320 kbps (LAME 3.93) - 103 MB | Covers - 65 MB
Genre: Pop Rock, Classic Rock | RAR 3% Rec. | Label: Audio Fidelity (AFZ 149)

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim. The revamped band grew to include new associates James Newton Howard on keyboards and Kenny Passarelli on bass as well as drummer Roger Pope and guitarist Caleb Quaye, who had both performed with John as far back as his first long-player. (He also retained the services of guitarist Davey Johnstone and percussionist Ray Cooper from the most recent lineup)…
Elton John - Rock of the Westies (1975) [MCA MCAD-31001, USA]

Lazy Cowgirls - Tapping The Source (1987)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1987 | MCA MCAD-31001 | ~ 277 or 104 Mb | Scans(jpg) -> 87 Mb
Pop Rock, Classic Rock

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim. The revamped band grew to include new associates James Newton Howard on keyboards and Kenny Passarelli on bass as well as drummer Roger Pope and guitarist Caleb Quaye, who had both performed with John as far back as his first long-player…

Elton John - Caribou (Vinyl) (1974/2017) [24/192]  Vinyl & HR

Posted by ciklon5 at Feb. 5, 2025
Elton John - Caribou (Vinyl) (1974/2017) [24/192]

Elton John - Caribou (Vinyl) (1974/2017) [24/192]
FLAC (tracks), Lossless [24bit-192kHz] | 45:11 | 1.67 Gb
Genre: Pop Rock

Glitzy showmanship is what fuels Caribou, a less successful album than its early-'70s predecessors. Though the shiny surface of the album is alluring, only a few tracks rank among John's best work. "The Bitch Is Back" is one of his best hard rock cuts and "Don't Let the Sun Go Down on Me" is one of his classic ballads, but the album tracks tend to be ridiculous filler on the order of "Solar Prestige a Gammon" or competent genre exercises like "You're So Static." There are a couple of exceptions – "Pinky" is a fine ballad and "Dixie Lily" is an endearing stab at country – but on the whole, Caribou is a disappointment. ~ Stephen Thomas Erlewine

Elton John - Caribou (Vinyl) (1974/2017) [24/192]  Vinyl & HR

Posted by ciklon5 at Feb. 5, 2025
Elton John - Caribou (Vinyl) (1974/2017) [24/192]

Elton John - Caribou (Vinyl) (1974/2017) [24/192]
FLAC (tracks), Lossless [24bit-192kHz] | 45:11 | 1.67 Gb
Genre: Pop Rock

Glitzy showmanship is what fuels Caribou, a less successful album than its early-'70s predecessors. Though the shiny surface of the album is alluring, only a few tracks rank among John's best work. "The Bitch Is Back" is one of his best hard rock cuts and "Don't Let the Sun Go Down on Me" is one of his classic ballads, but the album tracks tend to be ridiculous filler on the order of "Solar Prestige a Gammon" or competent genre exercises like "You're So Static." There are a couple of exceptions – "Pinky" is a fine ballad and "Dixie Lily" is an endearing stab at country – but on the whole, Caribou is a disappointment. ~ Stephen Thomas Erlewine