Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stunning early set as a leader from Elvin Jones – both a tremendous demonstration of the free energy he let loose after the passing of John Coltrane, and a set that's also still got some key Coltrane-esque elements! As with other Jones albums to follow, Elvin's got some key reedmen on hand – George Coleman on tenor, and Frank Foster on tenor, alto, and bass clarinet – both given plenty of room to run around with long solos on the open space of the record – yet without ever blowing off their heads as much as some of the younger players who'd work with Jones. There's no piano at all on the set – just the rock-slid bass of Wilbur Little, and additional congas from Candido next to Elvin's drums. The tracks have a haunting quality that mixes modal grooving with spare moments, and titles include "Simone", "5/4 Thing", "Shinjitu", and a nice version of "Yesterdays".
Drummer Elvin Jones is listed as the main force on the cover – but as with all of his 70s albums, the whole outing is very much a strong group affair – thanks to a killer core quartet that features Ryo Kawasaki on guitar, Pat LaBarbera on reeds and Dave Williams on bass – working with a great blend of sax and guitar that really helps refine the Elvin Jones sound of the 70s! As with other records by Elvin, there's some great guest work too – reeds from a shifting lineup that includes Dave Liebman, Frank Foster, and Steve Grossman – providing that wailing intensity that Elvin sought after the passing of Coltrane, but in a fresh new way – and Albert Dailey also adds in some sweet keyboards as well.
Elvin Bishop's music has been making people smile for over 50 years. A founding member of the groundbreaking Paul Butterfield Blues Band, Elvin has performed and recorded with music legends such as B.B. King, John Lee Hooker and the Allman Brothers……
Drummer Elvin Jones' first full-length album as a leader is different than one would expect when it is taken into consideration that he was a member of the fiery John Coltrane Quartet at the time. This sextet session, which also includes his brothers Thad and Hank on cornet and piano in addition to flutist Frank Wess, Frank Foster on tenor, and bassist Art Davis, is straight-ahead with a strong Count Basie feel. Jones is still recognizable on the fairly obscure material (only "You Are Too Beautiful" qualifies as a standard) and shows that he can cook in the fairly conventional setting. All of the musicians are in fine form, and two selections feature the rhythm section as a trio.