What can you expect but good things from a date featuring three players of such high pedigree. With Dave Holland and Elvin Jones representing the steadfast rhythm sections of old, and with Frisell's post-modern tones being among the finest voices moving jazz forward, a date like this should easily yield some classic moments. But Frisell comes up with only partial melodies and bare bones sketches for the band to play. Jones sounds at times utterly bored with his rhythm duties, desperate for a chance to stretch out. Frisell himself is often hesitant. Henry Mancini's "Moon River" and Stephen Foster's century-and-a-half old "Hard Times" together offer brief glimpses of levity, but cannot save the set entirely.
What can you expect but good things from a date featuring three players of such high pedigree. With Dave Holland and Elvin Jones representing the steadfast rhythm sections of old, and with Frisell's post-modern tones being among the finest voices moving jazz forward, a date like this should easily yield some classic moments. But Frisell comes up with only partial melodies and bare bones sketches for the band to play. Jones sounds at times utterly bored with his rhythm duties, desperate for a chance to stretch out. Frisell himself is often hesitant. Henry Mancini's "Moon River" and Stephen Foster's century-and-a-half old "Hard Times" together offer brief glimpses of levity, but cannot save the set entirely.
Elvin Jones may have established himself as one of the greatest drummers of all time, but equally important to him was his nurturing of young musicians. His Jazz Machine opened the door to several upcoming musicians, including Delfeayo Marsalis, Antoine Roney and Ravi Coltrane. He characteristically took delight in their playing, thus forging an emphatic bond. His attitude also served to enrich the music of the band.
Limited pressing edition. Reissue album from ELVIN JONES. Releasing in SHM-CD. Originally released by Atlantic in 1965. Recorded on Feb. 16(Tr. 1, 4, 6) & Mar. 18(Tr. 2, 3, 5, 7), 1965 in New York. J.J. Johnson(tb), Frank Wess(ts, fl), Charles Davis(bar), Don Friedman, Hank Jones(p), Art Davis, Paul Chambers(b), Elvin Jones(ds), Thad Jones(cnt, arr).
Revival: Live at Pookie's Pub is a thrilling previously unissued live recording of Elvin Jones’ quartet that captures the legendary drummer’s emergence as a bandleader at a little-known club in New York City where he had a weekly residency after leaving John Coltrane's band in the late 1960s. Featuring Joe Farrell on tenor saxophone, Billy Greene on piano, and Wilbur Little on bass, Revival was recorded between July 28-30, 1967, just two weeks after Coltrane died on July 17.
This Impulse! session co-led by drummer Elvin Jones and bassist Richard Davis finds the pair joined by tenor saxophonist Frank Foster and pianist Billy Green. The quartet performs an erratic but generally interesting set of music including "Shiny Stockings," Foster's funky "Raunchy Rita," and "Elvin's Guitar Blues"; the latter briefly features Jones making his first and only appearance on guitar.
This limited-edition eight-disc set combines all of Elvin Jones' Blue Note recordings from April 1968 through July 1973. This 65-track set contains the LPs Puttin It Together, Ultimate Elvin Jones, Poly-Currents, Coalition, Genesis, Merry Go Round, Live at the Lighthouse, Mr. Jones, and The Prime Element. Jones makes his presence as a band leader undeniable on these sessions allowing the musicians to stretch out while directing the evolution of the pieces.
Elvin Jones has participated in many recording sessions through the years, but this CD is one of the most well-rounded sets he has ever led. The lineup of musicians is very impressive: trumpeter Nicholas Payton, Sonny Fortune on tenor and flute, trombonist Delfeayo Marsalis, pianist Willie Pickens, bassist Cecil McBee, and vocalist Kevin Mahogany. ~ AllMusic
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Most of this CD reissue features drummer Elvin Jones leading a sextet full of notables, which also includes the underrated tenor great George Coleman, Joe Farrell on tenor, flute and English horn, baritonist Pepper Adams, bassist Wilbur Little, and Candido on congas. They stretch out on group originals highlighted by "Mr. Jones" and "Whew." In addition, flutist Fred Tompkins teams up with Farrell's flute, Little and Jones on his own "Yes." Advanced modal hard bop with all of the musicians playing in top form.