Academy of Ancient Music (AAM) resumes a celebrated project to record Mozart’s complete Piano Concertos, with this ninth volume released after an extraordinary 20-year wait. Together with renowned scholar-pianist Robert Levin, AAM presents Mozart’s Piano Concertos No. 21 in C Major K467, perhaps one of Mozart’s most well-known Piano Concertos and featured in films The Spy Who Loved Me and Elvira Madigan, and No. 24 in C Minor K491, described by Mozart scholar Alexander Hyatt King as ‘not only the most sublime of the whole series but also one of the greatest pianoforte concertos ever composed’.
This set of recordings from the vaults of the Decca and Philips labels has an advantage over other samplers of the works of Wolfgang Amadeus Mozart in that it gives listeners complete multimovement works, not just a single movement or an excerpt of a movement. On the other hand, because of this, the number of works presented is by necessity much smaller than other compilations. Rest assured, though, that the producers selected the best of the best of Mozart's compositions. The symphonies are represented by No. 40 and No. 41 on the first disc of the set, with Georg Solti conducting the Chamber Orchestra of Europe.
Known for his intense, insightful interpretations of the classical repertoire, Rudolf Serkin was one of the great American pianists of the mid-century, and seldom was he more in his element than when playing Mozart. This new six-CD release unites for the first time fourteen Mozart concerto recordings made at the height of his career, between 1951 and 1977. His is not a raised-little-finger type of Mozart; it is rugged, has contour, and is a welcome relief from the pretty-pretty conceptions heard only too often , wrote Gramophone of a 1955 recording with the Columbia Symphony Orchestra and Alexander Schneider. With the same orchestra, Serkin is ideally matched (AllMusic Guide) with conductor George Szell; elsewhere he partners Eugene Ormandy and the Philadelphia Orchestra, as well as Pablo Casals at the cellist-conductor s festival in Perpignan for No. 22 ( exultant and miraculous BBC Music Magazine). Recordings from the Marlboro Festival include the Concerto No. 10 for two pianos with his then-teenage son Peter Serkin.
The German label ECM offers some provoking thoughts on Mozart's music, especially his piano concertos, on a double album featuring pianist Keith Jarrett, with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. I almost said "jazz pianist" Keith Jarrett, for that is what he was invariably called for years until he began to explore the classics out in the open. His best-known previous classical recording was Bach's Goldberg Variations in which he exhibited some similarities to the legendary Glenn Gould in terms of digital clarity and freedom of expression. Critics were divided over whether this was a welcome return to a style once considered utterly unique, or a reprehensible form of imitation.
Decca proudly presents the entire recorded legacy of Radu Lupu, one of the most outstanding pianists of his generation. Released to celebrate his 70th birthday, this 28CD set shows Lupu in his prime, performing works by the composers who built his musical world – Mozart, Beethoven, Schubert, Schumann and Brahms.