Emerson

The Return of the Manticore is a beautifully packaged four-disc set that gathers essential tracks, covering ELP's best albums and offering up some re-recorded favorites as well. The first disc begins with an alternate version of 1986's "Touch and Go" that emphasizes Carl Palmer's presence. The disc also includes a cover of "Hang on to a Dream," originally by Keith Emerson's former band The Nice, and King Crimson's pièce de résistance "21st Century Schizoid Man." A new recording of the Crazy World of Arthur Brown's "Fire" rounds out Disc 1's novelties. The remaining discs overflow with ELP's greatest creations, pleasing the most avid fan and saturating the curious beginner. A new, extended recording of "Pictures at an Exhibition" is a must-hear, accompanied by a choir and recorded in full surround sound. A stunning unreleased version of "Rondo" and a bizarrely entertaining adaptation of "Bo Diddley" are also highlights…

A 7CD box set collecting five remastered ELP performances from 1970 to 1997, culminating in an unreleased concert from Phoenix, Arizona.

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here. "Take a Pebble" might have passed for a Moody Blues track of the era but for the fact that none of the Moody Blues' keyboard men could solo like Keith Emerson.

Trilogy is the third studio album by the English progressive rock band Emerson, Lake & Palmer, released in July 1972 on Island Records. Trilogy increased ELP's worldwide popularity, and included "Hoedown", an arrangement of the Aaron Copland composition, which was one of their most popular songs when performing live. Lake had said this was his favourite ELP record.

Welcome back, my friends, to the show that never ends. Well, such is the idea for an Emerson, Lake & Palmer compilation, but this one does tend to fall a bit short, literally. After all, since it was originally released as an LP, the disc comes in at less than 40 minutes. Certainly with a catalog as rich as Emerson, Lake & Palmer's it is extremely difficult for one CD (especially a short one) to truly capture the essence of the group. This one fails both as a chronological compilation and as the best-of that it is billed as being. That said, there are some good points here. "Lucky Man," "Peter Gunn," and "Still You Turn Me On" are all essential Emerson, Lake & Palmer cuts that truly work well here.

Here's a recording that doesn't introduce its star name until it's more than half over, and works quite well on that account. The understanding of the opening work, Alban Berg's six-movement Lyric Suite (1926), has evolved since scholars discovered a secret copy of the work that, despite its use of the abstract 12-tone system, outlines a quite specific program depicting the course of the composer's extramarital affair with Dorothea Robetin the previous year. The finale was even shown to contain an unsung melody, a setting of a very relevant Baudelaire poem, and to be performable with the melody sung.