A Roberto Negro album is never something predictable or easily labeled; we had taken note of it a couple of years ago, listening to his piano alone, Kings and Bastards, we come back to observe it in his new work in which once again he puts together a very original, changeable and surprising work. He does so by expanding the already tested Dadada trio—with which he had published (Saison 3—) to a quartet, adding Valentin Ceccaldi's electric bass to his historic collaborators Emile Parisien on soprano sax and Michele Rabbia on drums and electronics, working on eight compositions of his own hand.
Méchinet, un enquêteur débonnaire et patient, met tranquillement en place les mécanismes de l'investigation policière qui lui permettra de découvrir l'assassin du petit vieux des Batignolles. Avec un cahier de photographies tirées de l'adaptation télévisuelle de Claude Chabrol. …