Emilie Lebel

Emilie Mayer was one of the very few successful female composers of her time. The Mecklenburg-born composer was also referred to as the "female Beethoven". On this second CPO symphony album, Emilie Mayer opens up a new facet of her compositional spectrum by exhibiting classicistic tendencies: clear and transparent outlines, regular periods in the formation of themes, no formal experiments.

Vocalion's reissue of classic easy-listening album by Paul Mauriat and His Orchestra, originally released in 1978 on the Philips label. Remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

Vocalion's reissue of classic easy-listening album by Paul Mauriat and His Orchestra, originally released in 1978 on the Philips label. Remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

„Women who compose independently are rare in the music world. As abundant as the literary world is with female talent, the musical scene has few to champion, and among these few, Emilie Mayer is at the top. Her prolific output resembles a wellspring. She transforms every sensation, every feeling and every emotion to music.“ Elisabeth Sangalli-Marr (c. 1828–1901) described Emilie Mayer’s unique position in the music world of the time with these words in a Biographische Skizze (biographical sketch) published in 1877. Indeed, no other composer of her generation was so unimpressed by patriarchal gender conceit and rigid role attributions as „Europe’s greatest female composer“ (as Emilie Mayer is described in the subtitle of a recently published biography).

French Ivor Novello-nominated pianist Emilie Levienaise-Farrouch steps back from the world of film soundtracks for her third studio album ‘Ravage’. Her sound has the effortless sense of sonic expedition that draws comparisons with the likes of Johann Johannsson, Mica Levi and Hildur Gudnadottir.