Endeavour (2019)

The British Isles have a long, rich and celebrated seafaring history stretching from the earliest times through the victories of Drake and Nelson, the voyages of discovery and the defence of the realm by vessels of all types in the present century. Much of this history is recorded in literature and in museums but reaches its most tangible form in the large number of historical ships that have been preserved and are continually restored as monuments to a proud past.

The British Isles have a long, rich and celebrated seafaring history stretching from the earliest times through the victories of Drake and Nelson, the voyages of discovery and the defence of the realm by vessels of all types in the present century. Much of this history is recorded in literature and in museums but reaches its most tangible form in the large number of historical ships that have been preserved and are continually restored as monuments to a proud past.

There’s a sequence in Memoryscapes, a lovely short film, in which Širom set about fashioning music from a pile of pots, pans, saucepan lids and empty cans of supermarket lager on the kitchen table. It’s the band in microcosm: cracked, insistent beats, rhythm chasing rhythm, a deadly serious playfulness, and the intimacy of close friendship undercut by the sense of emergency of a flashing torch. Širom are all about the head and the hand, and the dark that always pushes against the light.

After the very well received, both by the audience and critics, debut album Repetitions (Letters to Krzysztof Komeda), focusing on the lesser-known works of the legendary Polish composer, the Wrocław-based EABS decided to further expand this lead and released two more vinyl records, "live" and "on tape", which crowned the "Komeda triptych". The astounding reception of the band's debut whet listeners' appetite for completely new recordings. It took 2 years for the new album to materialise, this time, however, it is filled with 100% original material.