Enigma . Shadows In Silence

Love Sensuality Devotion: The Remix Collection is a 2001 remix album of remixed songs made by Enigma. All of the remixes on the album were taken from previously released singles. LSD: Love, Sensuality and Devotion gathers over a decade's worth of Enigma's definitive tracks, including the song that started it all, "Sadeness, Pt. 1." "Return to Innocence," "Beyond the Invisible," and "Cross of Changes" are all featured as well, and though the collection ranges from the rock-tinged "I'll Love You…I'll Kill You" to atmospheric, electronic fare like "Shadows in Silence," since it's all essentially Michael Crétu's vision, it flows surprisingly well. Since Enigma's sound has varied fairly drastically over the years, LSD: Love, Sensuality and Devotion is the perfect starting point for anyone curious about Crétu's music, and the only Enigma album that casual fans might need.

DJ Ravin takes the wheel behind Buddha Bar III, the namesake compilation from Paris's answer to Studio 54. Ravin forgoes the Dinner/Party division that Claude Challe opted for on previous installments of the series, and instead casts Dream versus Joy on this two-disc set. Dream, leaning on the traditional (syrupy Greek strings, Japanese bamboo flutes, Persian harmonists) and New Age Enigma/Deep Forest side of things (Oliver Shanti & Friends, Vangelis engineer Frederick Rousseau) is frankly too restless to be truly dreamy. The frenzied run through so many styles, seemingly solely for the sake of diversity alone, ultimately feels about as sincerely global as a mad dash through Disney's Epcot Center. The second CD in the set, Joy, pays a tad more attention to a general vibe, resulting in a much better overall effect…

Although the band Anathema has since gone down a much more atmospheric and melodic route with their music, it's important to note that the group began as one of the pioneers of death doom metal, a style of music similar in its melancholic feeling to what Anathema has done more recently, but much heavier and darker in the one it is executed. With a few demos and this debut 'Serenades', Anathema would be setting the groundwork for a style that has since become much more popular by the likes of bands like Swallow the Sun. Although 'Serenades' is a classic work for its development in that doom metal sound, it is an incredibly hit-or-miss ordeal throughout, and may be better appreciated for its place in history than as a listening experience of its own.

A riddle wrapped in an enigma dressed up in leather and studs, Germany's Mekong Delta perplexed the heavy metal world both by playing an unconventional brand of progressive thrash and by keeping the identities of the bandmembers secret for the first five years of a career starting in 1987…