Sun Secrets is nothing for Eric Burdon (Animals) to be ashamed of artistically. With approximately 24 minutes per side, Sun Secrets is a far cry from The Black Man's Burdon and the rhythms of the group War. As Mountain guitarist Leslie West would do a year after this when he formed the Leslie West Band, Burdon beats him to the punch with a self-titled group that rocks - rocks harder than the Animals, rocks harder than War. It's innovative reinvention, and quite pleasing, not only to hear the three-piece unit blitzing behind the singer as he reinterprets Animals classics like "When I Was Young," "It's My Life," or the Hendrix/Cream riff-laden version of "Don't Let Me Be Misunderstood," but on the instrumental title track as well…
Of the first run of British bands who rose to fame in the wake of the Beatles breaking through in America, none were tougher and more forbidding than the Animals. They were also one of the first English acts to break internationally while aligning themselves with the blues. While the Rolling Stones were steeped in that genre, it would take them years to summon the sort of menace that the Animals delivered on their second single, 1964's "House of the Rising Sun." The band moved into a more pop-oriented direction over the next two years without stripping songs like "Don't Let Me Be Misunderstood," "We Gotta Get Out of This Place," and "It's My Life" of their passion and intensity. Vocalist Eric Burdon would take the Animals into a more adventurous, psychedelic-infused direction after the dissolution of the original lineup in 1966, while the songs would remain proudly uncompromised to the end of their run.
Recorded December 8th, 1963 at Craw-Daddy Club, Richmond and at the Club A Go Go, Newcastle-Upon-Tyne, England on 30 Dec. 1963.
Sonny Boy Williamson was, in many ways, the ultimate blues legend. By the time of his death in 1965, he had been around long enough to have played with Robert Johnson at the start of his career and Eric Clapton, Jimmy Page, and Robbie Robertson at the end of it. In between, he drank a lot of whiskey, hoboed around the country, had a successful radio show for 15 years, toured Europe to great acclaim, and simply wrote, played, and sang some of the greatest blues ever etched into Black phonograph records…
Eric Burdon & the Animals were nearing the end of their string, at least in the lineup in which they'd come into the world in late 1966, when they recorded Every One of Us in May of 1968, just after the release of their second album, The Twain Shall Meet…
The title is a bit of a misnomer; this double CD only includes the complete sessions that the Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun," "Don't Let Me Be Misunderstood," "Bring It on Home to Me," "We Gotta Get Out of This Place," "I'm Crying," "It's My Life," and "Boom Boom." Most of the rest of the tunes don't match the excellence of these smashes, though they're solid. The great majority of them are covers of vintage R&B/rock tunes by Chuck Berry, Fats Domino, and the like, which aren't quite as durable as reinterpretations from the same era by the Stones and Yardbirds.