Eric Clapton 2010 Clapton

This a Pino Daniele concert, an italian artist and guitarist that Eric called for the Crossroads Guitar Festival 2010 in Chicago. Then Pino called Eric in Italy for this benefit concert. The Clapton's set is strong with a lot of good solos and a very powerful Cocaine. There are also the return of the Layla electric version!!!

Completes the Freddie King story, with all of his 1974-75 RSO studio recordings (some with label-mate Eric Clapton) and four jam-packed discs of sizzling mid-'70s live performances. Bear Family's first Freddie King box was one of our best-selling, best-reviewed sets EVER! This is the exciting sequel. Contains Freddie King's acclaimed 'Burglar' album, produced in England by Mike Vernon, as well as rarities and an unreleased version of That's All Right. Most of the riveting live performances on this immense box are previously unreleased, and all are beautifully recorded in crisp, clear stereo. No bootleg quality sound here! …

Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event. At first listen, there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album - despite several interesting or excellent moments, it never develops a consistent voice that holds the album together. The fault doesn't lay with the guest stars or even with Santana, who continues to turn in fine performances. There's just a general directionless feeling to the record, enhanced by several songs that seem like excuses for jams…

One of the defining and most critically acclaimed albums of the '90s, Supernatural was the record which brought Santana to the spotlight of a new generation of fans. Joined by Rob Thomas, Dave Matthews, Everlast, Lauryn Hill, Eric Clapton, Wyclef Jean and others, Supernatural set the standard for contemporary pop and rock records moving into the new millennium.

German men's vocal sextet Die Singphoniker was established in the early '80s and has made it its mission to take on a promiscuous variety of music, including plainsong, the repertoires of music for men's voices of the Baroque, Classical, Romantic, and Modern eras, as well as folk song and American popular song. In this album the group brings its commitment to diversity to new level. Taking Pierre de la Rue's Requiem, Missa pro fidelibus defunctis (ca. 1506) as its central work, the group intersperses its seven movements with a wild variety of other pieces, including the spiritual Deep River; a movement from Weill's Berliner Requiem; German folk songs; contemporary pieces by Einojuhani Rautavaara, Knut Nystedt, and Hans Schanderl; and arrangements of songs by Sting and Eric Clapton.

Time Life Music’s Singers & Songwriters: 1976-1977 collects 24 radio hits over the span of two discs. Despite the title, the compilation doesn’t just favor traditional singer/songwriters like Al Stewart, Linda Ronstadt, and England Dan & John Ford Coley, though they are represented here. Group contributions include Orleans (“Still the One”), Fleetwood Mac (“Say You Love Me”), Chicago (“If You Leave Me Now”), and Bread (“Lost Without Your Love”), but it’s the solo acts that provide the most recognizable hits.