Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD. All mastered from the original analog master tapes by mastering maestro Kevin Gray.
Just a few weeks before his death, Eric Dolphy performed a concert at the Le Chat Qui Péche club in Paris on June 11, 1964, broadcast on French radio station France Musique, with a septet including fellow jazz luminary Donald Byrd on trumpet. The six tracks on this disc include selections from his albums Outward Bound (1960), Out There (1961), and Far Cry (1962), as well as a version of John Coltrane's "Naima". Personnel: Eric Dolphy - alto saxophone, bass, clarinet, flute; Donald Byrd - trumpet; Nathan Davis - tenor saxophone; Jack Diéval - piano; Jacques Hess - bass; Franco Manzecchi - drums; Jacky Bambou - congas. The entire broadcast is presented here, digitally remastered, with background liners.
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD. All mastered from the original analog master tapes by mastering maestro Kevin Gray.
Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird’s legacy. So deep was Dolphy’s musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work. This edition of Outward Bound contains two alternate takes and “April Fool,” a piece not on the original album.
I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger. — Rudy Van Gelder