Escher Art

Written, arranged and produced in a span of 3 years, IV(part 1) is the first part of Amogh Symphony's fourth studio album. This album has guest appearances by Singer Kasturi Nath Singh, Tabla player/multi-instrumentalist Writam Changkakoti, Traditional Assamese Pepa player Deep Saikia and Drummer/Producer Sean Reinert.

How could one deconstruct Bach’s music when this opus has had such a structuring effect? How could one subvert a tribute to the organist of Leipzig and not bow before the “old wig”, as Busoni liked to call him endearingly? In short, how today variate Bach without turning the master into a kitsch cantor? In much the same way is there a significant nuance between laughing at and laughing with, Edouard Ferlet offers to play with Bach rather than merely play Bach; and because to play is to do hence we stand at the core of a poetical process. A process by which the pianist “recomposes” both substracting and enhancing: a few notes are extracted here and there from a prelude’s voices whereas elsewhere some are luckily added without ever being reduced to simple ornaments. By no doubt the German composer would have approved a piano thus enhanced with such delicate sounds – as we know he had a preference for the clavicord’s softness.

This eight-part series of shorts introduces the world of the visual scientist Prof. Arthur Shapiro. Find out how your mind misinterprets information due to visual bias.