Christian Escoude combines elements of gypsy jazz, bop, and a contemporary flavor. Recorded at Studio 67, Bologna, May 1979. Produced by Alberto Alberti. Executive producer Sergio Veschi. Christian Escoudé - guitar. Alby Cullaz - bass.
Christian Escoudé, electric guitar; Jacques Vidal, bass; Aldo Romano, drums, acoustic guitar. Recorded at Emmequattro Studio, Roma, December 1979. Producers, Alberto Alberti, Sergio Veschi. Executive producer, Sergio Veschi.
Christian Escoude combines elements of gypsy jazz, bop, and a contemporary flavor. Recorded at Studio 67, Bologna, May 1979. Produced by Alberto Alberti. Executive producer Sergio Veschi. Christian Escoudé - guitar. Alby Cullaz - bass.
Christian Escoudé, electric guitar; Jacques Vidal, bass; Aldo Romano, drums, acoustic guitar. Recorded at Emmequattro Studio, Roma, December 1979. Producers, Alberto Alberti, Sergio Veschi. Executive producer, Sergio Veschi.
Two years after his latest trio album with David Reinhardt and Jean-Baptiste Laya, Christian Escoudé is back in the beginning of 2010 with a rich and varied album, recorded with the cream of jazz musicians: David Reinhardt and Jean-Baptiste Laya on guitars, Anne Paceo on drums, Darryl Hall on acoustic bass, Thomas Savy on clarinets and whiz kid Fiona Monbet on violin. A high-level rhythm section, clarinets' solos worthy of a classical soloist, a violin filled with emotion, meticulous arrangements, a beautiful production, a splendid acoustic sound accompanying Christian Escoudé's very inspired guitars, giving this album a very special flavour. The spiritual father of the whole new generation of guitarists, Christian offers here a light and yet very intense album, reminding us he is one of Django's most worthy representative. Long live the young at heart!
Christian Escoude combines elements of gypsy jazz, bop, and a contemporary flavor during these 1989 sessions that also include fellow guitarists Paul Challin Ferret, Jimmy Gourley, Frederic Sylvestre, accordion player Marcel Azzla, cellist Vincent Courtois, bassist Alby Cullaz, and either Billy Hart or Philippe Combelle on drums. The presence of so many players sometimes muddies the sound, especially when Azzla is too prominent in the mix. Several of the works were written by Escoude's late uncle, the popular accordion player/composer Gus Viseur, who had worked with Django Reinhardt and Stéphane Grappelli in the Quintet of the Hot Club of France, though the switch to electric guitars and addition of percussion indicates this is not your father's gypsy music.
Christian Escoudé is part of this small family of jazz guitarists from the gypsy milieu, his talent has allowed him to play with the greatest as Mc Laughlin, Martial Solal, John Lewis. Some unpublished notes of the music of Django Reinhardt found in the family attic are at the origin of the idea of this album. We discover tracks composed by Django, which have never been recorded or never played associated with compositions by Christian Escoudé and lyrics written by the singer Stephy Haik. Here is a new original album dedicated to the work of the great Django Reinhardt.
This release presents a complete never before released live performance by the great Bill Evans with an unusual trio that never made a studio album (featuring drummer Philly Joe Jones and bassist Marc Johnson). Joining them are Lee Konitz for three amazing quartet tracks, Curtis Fuller (who joins Konitz and the trio for a marvelous quintet version of Lover Man), and Stan Getz and Christian Escoude (who join Fuller and the trio for the finale on All the Things You Are). A rare interview with Evans made right after the Nice concert has also been included on this release, as well as another unissued concert by the same trio taped in Italy a few days later.