EMI Records managed to miss marking the 40th anniversary of the Beatles' Sgt. Pepper's album, but they just about made up for it with this triple-CD set, packaged in a handsome hardcover book format. It offers fans of the early Pink Floyd a chance to do something for the first time in the CD era (and for the first time since the year 1967) - immerse themselves, up to the neck at least (if not quite to the top of the head) in the Syd Barrett-era Pink Floyd sound. EMI pulled out all the stops with this triple-disc set commemorating the 40th anniversary of the release of Pink Floyd's debut album, The Piper at the Gates of Dawn, containing the stereo and mono mixes of the album on two separate digital platters, and augmenting them with a bonus CD containing the band's three early singles, plus two previously unreleased alternate takes (an "alternative version" of "Matilda Mother" and "Take 6" of "Interstellar Overdrive")…
EMI Records managed to miss marking the 40th anniversary of the Beatles' Sgt. Pepper's album, but they just about made up for it with this triple-CD set, packaged in a handsome hardcover book format. It offers fans of the early Pink Floyd a chance to do something for the first time in the CD era (and for the first time since the year 1967) - immerse themselves, up to the neck at least (if not quite to the top of the head) in the Syd Barrett-era Pink Floyd sound. EMI pulled out all the stops with this triple-disc set commemorating the 40th anniversary of the release of Pink Floyd's debut album, The Piper at the Gates of Dawn, containing the stereo and mono mixes of the album on two separate digital platters, and augmenting them with a bonus CD containing the band's three early singles, plus two previously unreleased alternate takes (an "alternative version" of "Matilda Mother" and "Take 6" of "Interstellar Overdrive")…
EMI Records managed to miss marking the 40th anniversary of the Beatles' Sgt. Pepper's album, but they just about made up for it with this triple-CD set, packaged in a handsome hardcover book format. It offers fans of the early Pink Floyd a chance to do something for the first time in the CD era (and for the first time since the year 1967) - immerse themselves, up to the neck at least (if not quite to the top of the head) in the Syd Barrett-era Pink Floyd sound. EMI pulled out all the stops with this triple-disc set commemorating the 40th anniversary of the release of Pink Floyd's debut album, The Piper at the Gates of Dawn, containing the stereo and mono mixes of the album on two separate digital platters, and augmenting them with a bonus CD containing the band's three early singles, plus two previously unreleased alternate takes (an "alternative version" of "Matilda Mother" and "Take 6" of "Interstellar Overdrive")…
It seems that Gary Bertini, like Gustav Mahler, is destined to be better remembered after his death than he was known during his life. When he passed away in 2005, he was little known outside Israel, Japan and continental Europe and nowhere near as widely recognised as the glamour conductors who appear on the пїЅmajorпїЅ labels. His recordings were few and hard to find. A year after his passing, Capriccio has launched a Gary Bertini Edition (see, for example, review) featuring live recordings drawn from the archives of the KпїЅlner Rundfunk-Sinfonie-Orchester, and EMI has re-released his Mahler cycle.