From a composer whose vast output plunders the stylistic gamut of western musical history and then some, here is a single movement requiem full of clean lines and troubled introspection. Et Lux is a 2009 composition for voices and string quartet in which Rihm dwells on certain phrases of the Latin death mass – particularly the notion of eternal light, which he calls “comforting yet deeply disturbing”. The same could be said of Et Lux as a whole. Tropes waft in from across the ages: this music treads the line of tangibility, with sudden rushes of anger or fondness and the messy half-memories that come with grief. The strings complete phrases that the singers can’t seem to summon. Conductor Paul van Nevel doubles the vocal parts to create broad, generous textures that sound lovely and lush against the strings’ icy clarity – all qualities that ECM’s engineers are expert at capturing.
Though she launched her solo vocal career relatively late, Elin Manahan Thomas earned the reputation as one of the finest British sopranos of her generation. Some will hear her voice as more appropriate for Baroque sacred works, and while she has scored great success in that genre, she has also achieved acclaim in a wide range of operatic roles and has sung an eclectic choice of repertory in the concert hall.
NOVELA is perhaps one of the most popular and pivotal rock bands in Japan. Between 1980 and 1987 they delivered many albums. The sound on the first records was 'heavy progressive', later NOVELA turned more into a harder-edged rock band. NOVELA featured two known 'progrock legends': keyboard virtuoso Toshio Egawa (later Gerard and Sheherazade) and multi-instrumentalist Terutsugu Hirayama (he founded TERU'S SYMPHONIA).
Trans-Siberian Orchestra (TSO) is an American progressive rock band founded in 1996 by producer, composer, and lyricist Paul O'Neill, who brought together Jon Oliva and Al Pitrelli (both members of Savatage) and keyboardist and co-producer Robert Kinkel to form the core of the creative team. The band gained in popularity when they began touring in 1999 after completing their second album, The Christmas Attic the year previous. In 2007, the Washington Post referred to them as "an arena-rock juggernaut" and described their music as "Pink Floyd meets Yes and The Who at Radio City Music Hall.