So here we are - R&B Hipshakers - Teach Me To Monkey - Nothing to do with the Hipshakers club in Portsmouth, ,but a new CD released from those Latin Soulsters Vampi Soul. R&B tracks released from the King and Federal Vaults - Most tracks never been released !! This CD is first rate, it starts with a guitar/organ belter with Willie Wright & His Sparklers and Gibble Gobble, then we get into more familiar territory, Hank Ballard and a groover called Broadway, then the next few tracks already comped by Aces output Lula Reed (which is a fantastic track anyway - check out Aces Tiny Topsy and Lula Reed Cd), Little Willie John - Nerves (similar to Im Shakin). Lloyd Nolan, and the 5 Royales all on Aces CDs (Little Wilie John, Kings New Breed R&B or the 5 Royales Cds - all great tracks).
Eugène Godecharle was director of music at the church of Saint-Géry in Brussels before his appointment as first violinist in the court orchestra. He was not only an outstanding violinist and violist, but seems also to have mastered the pedal harp; he subsequently made brilliant use of the tonal and technical possibilities that the newly invented pedal mechanism had enabled. His Sei Quartetti Op. IV are notable for their musical and tonal diversity as well as for the particular textures that Godecharle employed in their composition. In these harp quartets, recorded here for the first time, Société Lunaire explores a particularly fascinating sound world; their energetic allegros as well as melancholy and galant movements enrich the chamber music repertoire of the second half of the 18th century in a most elegant and charming manner.
The third volume in Vampi Soul's Hipshakers series is again compiled by WFMU DJ Mr. Fine Wine and features an array of late-'50s to early-'60s R&B, some jump blues stragglers, and a bit of proto-rock & roll – punctuated by honking saxes, shouting vocals, and tempos guaranteed to have you doing exactly what the title says. This set features rare tracks from Joe Tex, Little Willie John, the underrated Red Prysock, and many more. Roll back the rugs and grab a partner; this stuff will get you in a dancing mood real quick.
The ideal gift for a music lover is for sure a nice compilation. Rock & Folk released this year a compilation of the best rock songs of the 50s and 60s. A person who is a fan of rock, it is very easily. A person who still listens to CDs in his car is easy to find too. A person who prefers to have a beautiful object rather than an iTunes prepaid card, there is a shovel.
Here is a gift that can please a person who mixes these three aspects. Indeed, Rock & Folk releases its traditional compilation of end of year and looks this year on the origins of rock.
The ideal gift for a music lover is for sure a nice compilation. Rock & Folk released this year a compilation of the best rock songs of the 50s and 60s. A person who is a fan of rock, it is very easily. A person who still listens to CDs in his car is easy to find too. A person who prefers to have a beautiful object rather than an iTunes prepaid card, there is a shovel. Here is a gift that can please a person who mixes these three aspects. Indeed, Rock & Folk releases its traditional compilation of end of year and looks this year on the origins of rock.
For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America.
For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.
Another solid Slim set with an additional emphasis on the considerable contributions of second guitarist John Primer, who handles vocals on three cuts (including covers of Otis Redding's "Hard to Handle" and Eugene Church's "Pretty Girls Everywhere"). This was a particularly potent edition of Teardrops, pounding through Slim's own title cut and "Please Don't Waste My Time" and Albert King's shuffling "Cold Women with Warm Hearts" with barroom bravado.