While other musicians mostly vary their repertoire with nuances, every Klaus Schulze performance is hard to predict. His former bandmate Edgar Froese (Tangerine Dream) once needed a nice image when describing his way of improvising on stage with electronic instruments, “This is like a parachute jump where one cannot be sure if the parachute will even open.” This was particularly true during the time of the unpredictable, analog synthesizers- but Klaus kept this same work method throughout the years without making any changes. And with this he is one of the few musicians who saved this art of improvising, all during the transition from the analog to the digital era…
As in previous years, the Vienna Philharmonic’s 2024 New Year’s Concert has been released by Sony Classical in both audio and video formats. Under the baton of Christian Thielemann no fewer than nine of the works from the foot-tapping world of the waltz and polka are featured for the first time on the programme of what remains the most popular event in the world of classical music.
As in previous years, the Vienna Philharmonic’s 2024 New Year’s Concert has been released by Sony Classical in both audio and video formats. Under the baton of Christian Thielemann no fewer than nine of the works from the foot-tapping world of the waltz and polka are featured for the first time on the programme of what remains the most popular event in the world of classical music.
Barclay James Harvest was, for many years, one of the most hard luck outfits in progressive rock. A quartet of solid rock musicians John Lees, guitar, vocals; Les Holroyd, bass, vocals; Stuart "Wooly" Wolstenholme, keyboards, vocals; and Mel Pritchard, drums with a knack for writing hook-laden songs built on pretty melodies, they harmonized like the Beatles and wrote extended songs with more of a beat than the Moody Blues. They were signed to EMI at the same time as Pink Floyd, and both bands moved over to the company's progressive rock-oriented Harvest imprint at the same time, yet somehow, they never managed to connect with the public for a major hit in England, much less America.
"…Thanks to Marek Janowski's inspiring direction, the singers' commitment and the peerless sound quality, this recording sets a new benchmark for Tristan und Isolde in the 21st century and undoubtedly it is one that all Wagnerites will wish to investigate. Unreservedly and enthusiastically recommended." ~SA-CD.net
"…Thanks to Marek Janowski's inspiring direction, the singers' commitment and the peerless sound quality, this recording sets a new benchmark for Tristan und Isolde in the 21st century and undoubtedly it is one that all Wagnerites will wish to investigate. Unreservedly and enthusiastically recommended." ~SA-CD.net