Eva Cortés Back 2 The Source

Sci-fi fusion trio Consider the Source began in the underbelly of NYC performing improvisational heavy sets soaked in Indian and Middle Eastern styles. Once the band realized they had something truly original they decided to take it on the road leading to 15 years of touring the U.S. in addition to Israel, Germany, Turkey and a trip to India. Their studio catalog has evolved into a wide range of progressive rock, classical, jazz and Eastern European music mixed with many other styles from around the world. The band's sound is always evolving and has led them to constantly chase something new and exciting.

All this intertwined, penetrating and playing around by the incomparable warmth, expressiveness and also percussive power of the cello, which is as close to the human voice as hardly any other instrument. Ruth Maria Rossel's cello swings, swings and sings, it cries, laughs and dances - in short, it lives!

More than 20 years after Captain Beefheart's last musical outing, the Magic Band (sans the Captain) reconvened for the 2003 All Tomorrow's Parties festival. Actually, it's a Magic Band that never was, consisting of Drumbo (John French) on drums, vocals, and harmonica; Rockette Morton (Mark Boston) on bass; and guitarists Mantis and Feelers Reebo (Gary Lucas and Denny Walley, respectively). (For the live shows, Robert Williams – another Magic Band alumnus – took over the drum chair when Drumbo had to sing and play harp.) Of course, these guys knew the material, but they don't just play the tunes, they attack them, summoning up the controlled chaos that made the original Captain Beefheart recordings such singular achievements.

Introducing an amazing blues album filled with the raw blues spirit. This is the strongest blues album of 1997 by the indomitable Carter Brothers, who perfectly expressed the enthusiasm of 1960s Southern blues in the modern era. Thirty years after their 60's Jewel Records work, which became a hot topic when it was first released as an LP on P-Vine, they have finally returned. This long-awaited work is a worldwide event. The power of Roman Carter's hard vocals and the heavy movement of the sound and beat are absolutely amazing!
This electric blues act with a soul bent recorded for Jewel Records, among other labels. Roman Carter (lead vocals, bass), Albert Carter (guitar), and Jerry Carter (vocals, piano) came from Garland, AL, and began recording in 1964 for producer/songwriter Duke Coleman's local label. Stan Lewis' Jewel Records…