British singer/songwriter Howard Jones was a glinting jewel caught in the avalanche of synthesized music that overwhelmed the pop scene in the '80s. Jones had a true gift for crafting gleaming melodic hooks that make his hits some of the most memorable of the era. He used synthesizers not because they were "in," but because he could use them to create a delicious soundscape that couldn't be created without them. (Later in his career, he proved that he didn't need the electronics to write compelling pop music.) This 12" Album was released in support of his 1984 effort Humans Lib. It includes remixes of four of the hits from that record, including a previously unreleased extended mix of "Pearl in the Shell" and a "new version" of the now-classic "New Song," which features a reworked bass run and a new piano solo.
JONESY were an early 70's band in the style of KING CRIMSON but with the unusual element of electric trumpet from Alan Bown. Other band members were John Evan-Jones - guitar & backing vocals, Jamie Kaleth - lead vocals & keyboards (including some excellent Mellotron), Gypsy Jones - lead vocals, bass guitar & recorders and Plug Thomas - percussion and backing vocals.
Rhythm team David Paull and Jim Payne left Jonesy after the release of the band's debut No Alternative. In their stead came Gypsy Jones and Plug Thomas, along with trumpeter/woodwind player Alan Bown and string arranger Ray Russell upending their previous sound. "Masquerade," which opened their sophomore Keeping Up set, immediately introduced the new crew across a dizzying array of genres. Shades of new romantics to come haunt the early passages, but then the song rounds on funk, delves deep into moody waters, pooling around woodwind and trumpet solos whipped to a froth by the lush strings while operatic vocals soar overhead.