Everyday Folk

Three CD collection. Notwithstanding one or two isolated exceptions, it wasn't until the mid-'60s that independent female voices really began to be heard within the music industry. Over the course of four hours and sixty tracks, Milk Of The Tree focuses on the music made in the late '60s and early '70s in both Britain and North America by either female solo artists or acts with featured female vocalists. Along the way, we encounter San Franciscan psychedelia, LA folk rock, Swinging London pop-folk, electric folk, progressive folk and even folk club folk as well as (of course) a plethora of singer- songwriters (including Various ladies of the Canyon) from the movement's golden age. As well as featuring most of the leading figures from both sides of the Atlantic, Milk Of The Tree includes many performers who received little attention at the time but who now have a cult reputation amongst collectors. A significant number of tracks were unreleased at the time, while the set also includes the first-ever appearance by pioneering female rock duo Emily Muff, two American girls who were based in England during the period in question but failed to land a recording contract. With a 44-page booklet crammed with rare photos and details of the Various acts featured, the clambox-housed Milk Of The Tree is not only a fascinating social document but, we hope, a hugely entertaining snapshot of a particular time, place and frame of mind that produced some enduring, spellbinding music.

Three CD collection. Notwithstanding one or two isolated exceptions, it wasn't until the mid-'60s that independent female voices really began to be heard within the music industry. Over the course of four hours and sixty tracks, Milk Of The Tree focuses on the music made in the late '60s and early '70s in both Britain and North America by either female solo artists or acts with featured female vocalists. Along the way, we encounter San Franciscan psychedelia, LA folk rock, Swinging London pop-folk, electric folk, progressive folk and even folk club folk as well as (of course) a plethora of singer- songwriters (including Various ladies of the Canyon) from the movement's golden age. As well as featuring most of the leading figures from both sides of the Atlantic, Milk Of The Tree includes many performers who received little attention at the time but who now have a cult reputation amongst collectors. A significant number of tracks were unreleased at the time, while the set also includes the first-ever appearance by pioneering female rock duo Emily Muff, two American girls who were based in England during the period in question but failed to land a recording contract. With a 44-page booklet crammed with rare photos and details of the Various acts featured, the clambox-housed Milk Of The Tree is not only a fascinating social document but, we hope, a hugely entertaining snapshot of a particular time, place and frame of mind that produced some enduring, spellbinding music.

Three-disc, 64-track collection. The folk revival that took place at club level during the Sixties introduced a whole new audience to traditional folksong, while also bringing to the fore the concept of the earnest young singer/songwriter. When, by the end of the decade, centuries-old songs were being given a sonic makeover by the new breed of electric folkies (headed by the likes of Fairport Convention and Steeleye Span, both of whom are represented on this collection), folk music had long since escaped out of the clubs and into the charts. This companion piece to similar 3CD sets concentrating on the Irish and Scottish folk scenes focuses on the astonishing depth of talent emanating from the English folk scene during this most tumultuous of decades. Every facet of the English folk genre is encompassed, ranging from club singers and trad folksong revivalists like Isla Cameron and Shirley Collins, the post-Dylan singer/songwriter (Donovan, Ralph McTell), folk-based fusion act Pentangle, and even such turn-of-the-decade acid folk iconoclasts as Synathesia and the mighty Comus.

A Constant Companion
I have been a working musician for over 20 years now. Music from the British folk tradition has been a constant companion. I grew up in a small market town in East Dorset called Wimborne Minster which has a well established folk festival, a calendar event which started when I was a child. Folk music was part of the everyday experience.
As a young adult I would listen to Fairport Convention, Trees, Mellow Candle & The Pogues alongside Bowie, Nirvana, Neu & Aphex Twin. Catholic tastes.