Evolution Songwriter

We are pleased to present Evolution Songwriter, a faithful reproduction of the legendary Gibson J-45, a steel string acoustic guitar that can be heard on countless singer-songwriter albums over the past decades. dle_media_begin:https://www.youtube.com/watch?v=SEerdRb-tIA

We are pleased to present Evolution Songwriter, a faithful reproduction of the legendary Gibson J-45, a steel string acoustic guitar that can be heard on countless singer-songwriter albums over the past decades. dle_media_begin:https://www.youtube.com/watch?v=SEerdRb-tIA

We are pleased to present Evolution Songwriter, a faithful reproduction of the legendary Gibson J-45, a steel string acoustic guitar that can be heard on countless singer-songwriter albums over the past decades.

"Emily’s D+Evolution" from multiple Grammy winner Esperanza Spalding is her most ambitious release yet; a theatrical concept album that expands upon both her art and herself as a world renowned genre-bending composer, bassist and vocalist. The album title, pronounced "D plus evolution," is derived from both Esperanza’s middle name and the spirit muse that flows through this brilliantly urgent, vivacious album. With six tracks co-produced by Tony Visconti (David Bowie) and drawing, at times, from diverse wellsprings ranging from Cream to Shostakovich to St. Vincent, this is a kaleidoscopic project; raw, honest and luminous. Spalding's complex but immediate compositions were committed to tape partially live and partially in front of a control room packed full of 20 or more invited guests. This deluxe edition contains two bonus tracks.

Deluxe edition includes two bonus tracks. 2016 album from the acclaimed jazz artist. Esperanza Spalding presents Emily's D+Evolution, a rekindling of her childhood interest in theater, poetry and movement, which delves into a broader concept of performance. Taking a new approach to her on-stage persona, the remarkable Spalding taps into new creative energy, delivering musical vignettes inspired during a "sleepless night of full moon inspiration." As she puts it, "Emily is my middle name, and I'm using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand. My hope for this group is to create a world around each song, there are a lot of juicy themes and stories in the music. We will be staging the songs as much as we play them, using characters, video, and the movement of our bodies".

Evolution is the fourth album (second published worldwide) by the American vocalist, pianist and songwriter Oleta Adams and was released in 1993. The album is the follow up to Adams' worldwide hit album Circle of One and is fully produced by Stewart Levine. Like its predecessor, Evolution consists of songs with a mix of jazz, soul, pop and gospel. Evolution features three cover versions: the James Taylor song "Don't Let Me Be Lonely Tonight", Billy Joel's "New York State of Mind" and Ivan Lins' "Evolution". Adams wrote six of the twelve album tracks, and it also features a song written by songwriter Diane Warren. Evolution entered the top 10 in the UK Albums Chart. However, without the aid of a big hit single, the album dropped quickly and only stayed in the charts for seven weeks. In the US, the album peaked at #67 and stayed only 13 weeks in the charts. It had more success in continental Europe, most notably in the Netherlands where it peaked at #6 and stayed in the chart for almost a year.

Swiss vocal acrobat Andreas Schaerer and Finnish guitarist Kalle Kalima have some things in common. As artists, each is essentially in a category completely of his own. Both are musicians who can always conjure something special from their chosen instruments.

A towering figure of the history and evolution of Chicago blues, the legendary Willie Dixon was indisputably the pre-eminent blues songwriter of his era, credited with writing more than 500 songs by the end of his life. In addition to his recording career as a leader, he produced, arranged and played bass on dates by such important figures as Chuck Berry, Muddy Waters, Howlin’ Wolf, Little Walter, Sonny Boy Williamson, and others. In no small way, Dixon served as a crucial link between the blues and rock & roll.

Evolution Texas Twang features a custom single cut Tele-style guitar with dual single-coil pickups. The bridge pickup gives you that nasally twang perfect for percussive chicken picking and bright crunchy tones, while the neck provides you with a juicy, full sound just right for mellower tones. Because we recorded both pickup signals separately you can dial in any blend of the pickups you want.