Exorcism 1974

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."

The latest instalment of Grapefruit’s popular year-by-year overview of the British rock/pop scenes of the 70s. Featuring big hits, intriguing misses and key album tracks from 1974 as well as a clutch of alternative versions and unissued-at-the-time gems. Although 1974 was dominated by the country’s crippling economic woes, the British rock and pop scene continued to flourish. The more creative element of the glam rock spectrum inspired a host of new bands, with Cockney Rebel, Be-Bop Deluxe and Sparks coming through to establish themselves alongside genre heavyweights Roxy Music, T. Rex and Slade. London’s pub rock circuit saw stalwarts Brinsley Schwarz joined by early Ian Dury outfit Kilburn & The High Roads, Ace (who scored a hit single with the timeless ‘How Long’) and Dr. Feelgood, whose aggressive attitude and slashing, guitar-based brand of tough R&B influenced a whole new generation of musicians.

New 4cd remastered clamshell various artists boxed set celebrating the finest musical sounds of so-called progressive rock music of 1974. five hours of music featuring tracks by kevin ayers, barclay james harvest, be bop deluxe, jack bruce, budgie, camel, caravan, gong, greenslade, peter hammill, hatfield and the north, hawkwind, jethro tull, man, nektar, pfm, procol harum, nektar, renaissance, todd rundgren’s utopia, stackridge, strawbs, traffic, robin trower, darryl way’s wolf and many more. includes an illustrated booklet with essay by mark powell. Reviews and features in national newspapers, uncut, mojo, record collector and prog magazines plus coverage on relevant websites and fanzines. The next release in their series of compilations celebrating so-called “Progressive” rock music – ‘Round and Round – Progressive Sounds Of 1974’, is a 4CD clamshell box set which gathers together over five hours of music from 1974, another year in which would continue to see Progressive music in all its forms continue to develop and retain its presence as a dominating force with the album buying public.

The 1974 live recordings celebrates the 50th anniversary of bob dylan’s return to touring that year. Featuring all professionally recorded shows from the artist’s 1974 performances backed by the band, the collection will be available as a deluxe box set across 27 cds. The 1974 live recordings offers fans 417 previously-unreleased bob dylan live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording – along with new liner notes by journalist and critic elizabeth nelson.

Joni Mitchell's first live album arrived at the peak of her fame. Recorded a couple months after her breakthrough Court and Spark debuted, the Canadian singer-songwriter documented the California stops on the tour supporting the new LP. Performing an expansive collection of tracks from her 1968 debut Song to a Seagull onward, Miles of Aisles carefully avoided the hits. "No one ever said to Van Gogh, 'Paint a "Starry Night" again, man,'" said Mitchell before playing "Circle Game." In 1991, she revealed to Rolling Stone why she made the comparison: "I never wanted to turn into a human jukebox. I haven't used up all my ideas yet. But I'm working in a pop field, and whether they're going to allow an older woman to do that is an open question. It requires a loyal, interested audience who believes in my talent." Brittany Spanos

A young woman (Meiko Kaji), trained from childhood as an assassin and hell-bent on revenge for the murders of her father and brother and the rape of her mother, hacks and slashes her way to gory satisfaction in turn-of-the-twentieth-century Japan. Rampant with inventive violence and spectacularly choreographed swordplay, Toshiya Fujita’s pair of influential cult classics Lady Snowblood and Lady Snowblood: Love Song of Vengeance are bloody, beautiful extravaganzas composed of one elegant widescreen composition after another. The first Lady Snowblood was a major inspiration for Quentin Tarantino’s Kill Bill saga, and both of Fujita’s films remain cornerstones of Asian action cinema.

Before the Flood is a double live album by American singer-songwriter Bob Dylan and the Band, released in June 1974 on Asylum Records in the United States and Island Records in the United Kingdom. It is the seventeenth album by Dylan and the seventh by The Band, and documents their joint 1974 American tour.

The 1974 live recordings celebrates the 50th anniversary of bob dylan’s return to touring that year. Featuring all professionally recorded shows from the artist’s 1974 performances backed by the band, the collection will be available as a deluxe box set across 27 cds. The 1974 live recordings offers fans 417 previously-unreleased bob dylan live tracks – including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording – along with new liner notes by journalist and critic elizabeth nelson.