This compilation somewhat erratically distills the contents of two very different releases featuring the 1958 Miles Davis Sextet. The first four tracks were originally issued as one side of a short-lived album entitled Jazz Track. On this disc, that same May 1958 studio session is augmented by three numbers from Jazz at the Plaza. The live session was held in the Persian Room of The Plaza Hotel in New York City on September 9, 1958. The spontaneous and complimentary style of performance ethic and trust among Davis and his musicians is at the fundamental core of his work here. This memorable sextet features: Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums).
Acoustic swinging string quartet with blazing guitars, soaring violins and pumping double bass. ‘Dukkah’ seemed an appropriate name for a spicy mix of music created and performed live in the studio by four musicians with diverse backgrounds and interests. Shenzo Gregorio is a master musician. Classically trained, he has written operas, ran masterclasses and performed all over the world. Nigel Date is a professional guitarist. …’
Sade’s longest absence yet did not prevent their return from being an event. It at least seemed eventful whenever “Soldier of Love,” released to radio a couple months prior to the album of the same title, was heard over the airwaves…
Sometimes in improvised music there can be a distance between listener and players, a sense you’re sitting back and admiring their interplay and abstraction – but with Szun Waves’ second album, you’re right in there with them, inside the playing, experiencing the absolute joy the three musicians feel as they circle around each other, exploring the spaces they’ve opened up.
Singer Jimmy Scott (aka Little Jimmy Scott) had an unusual career conditioned by his physical limitations and record company machinations that sometimes prevented him from being heard, but he mounted a major comeback late in life. He suffered from a rare hereditary condition called Kallmann's Syndrome that prevented him from experiencing puberty, such that he stopped growing when he was less than five feet tall and his voice never changed from a boy soprano's. "Someone To Watch Over Me - The Definitive Jimmy Scott", spans more than 50 years of his remarkable career, and includes 28 selections, from his early '50s sides with the Decca, Regal and Savoy labels, to the late '60s / early '70s Atlantic albums. There's also collaborations with the Lionel Hampton Band, David Sanborn and Jools Holland, plus the previously unreleased 'I Get Sentimental Over Nothing', recorded during the Dream sessions in 1994.