Expression Dance 2016

This recording of lute music may be of most interest to fans of the lute and of the Renaissance-Baroque transition era, but it will be of considerable interest to them: it marks the first recording of the Libro d'intavolature di liuto, or Book of Lute Tablatures, of Vincenzo Galilei (1584). Galilei was the father of none other than astronomer Galileo. The work is given the title The Well-Tempered Lute here; that was not Galilei's title, but the music was apparently the first collection intended to demonstrate the possibilities of equal temperament that Bach would exploit so dramatically a century and a half later. Some scholars have opined that this was a primarily theoretical work; as music, it is both technically difficult and a little monotonous, consisting of groups of dances that may or may not have been danced to. Lutenist Žak Ozmo makes a good case for these little pieces as performer's music, differentiating learned counterpoint from works of a more expressive character.

Acclaimed composer and multi-instrumentalist Joe Chambers brings together a global cast of talent on Dance Kobina, a joyous and ruminative gesture from the drummer and vibraphone master. His third release for Blue Note Records — and sonic complement to 2021’s Samba de Maracatu — Dance Kobina spotlights Chambers’ original compositions, explores new music, and delivers a fresh, intimate treatment of enduring tunes — each selection heavily informed or subtly influenced by AfroCuban guaguancó. “To me, all these pieces are connected,” says Chambers, “in many ways.”