Extreme Albums Collection

Tiles - Pretending 2 Run (2016) {2CD The Laser's Edge LE1075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 667 Mb | MP3 @320 -> 228 Mb
Full Artwork @ 600 dpi (jpg) -> 109 Mb | 5% repair rar
© 2016 The Laser's Edge / Standing Pavement Recordings | LE1075
Rock / Neo-Prog / Prog-Rock / Hard Rock

The American quartet TILES hails from Detroit. TILES has a Rush meets Extreme kind of a hard rock sound. Their debut disc was a bit on the simplistic side, but their latest music is a realm dominated by SHADOW GALLERY and ENCHANT. The music is atmospheric on a vast level and well orchestrated with lots of layers. There is a greater use of acoustic instruments (mandolin, acoustic guitar and violin) and ballad structures. They bring us further refinement in their magical blend of prog sensibility and hard-rock energy. For fans of a technical brand of semi-prog hard rock!

Now That's What I Call Power Ballads is a special edition compilation album from the (U.S.) Now! series, containing power ballad rock songs mostly from the 1980s, and was released on March 24, 2009. It debuted at number thirty on the Billboard 200 albums chart in April 2009. This collection contains 18 definitive Rock ballads from the finest Classic Rock and AOR bands in history including Journey, Whitesnake, Aerosmith, Poison, Def Leppard, Cheap Trick, Scorpions, Heart, Night Ranger, Warrant and others.

Pamela Thorby has been recording for Linn for most of the label’s existence, both as ensemble player and soloist. This time she joins Andrew Lawrence-King (except for a few unaccompanied pieces) in a varied program of music of the 16th and 17th centuries. In his notes, the harpist has an explanation for the disc title in the literary use of the garden as a place of earthly delights (Hieronymus Bosch’s allusion) where lovemaking is accompanied by recorders and plucked strings. His essay lucidly explains some of the terminology too often taken for granted in music of this period. Diego Ortiz, in Trattado de glosas of 1553, illustrated three ways of playing music on instruments; hence the program uses three of his examples at the beginning, middle, and end of this program.

Now That's What I Call Power Ballads is a series, containing power ballad rock songs mostly from the 1980s. It debuted at number thirty on the Billboard 200 albums chart. This collection contains definitive Rock ballads from the finest Classic Rock bands in history including Journey, Whitesnake, Aerosmith, Poison, Def Leppard, Cheap Trick, Scorpions, Heart, Night Ranger, Warrant and others.

Perhaps the only subject more interesting than headlining act making major waves while on tour is the history of the venues where this occurs, and few places inspire such inquiries to the same degree as London’s The Roundhouse. Originally constructed in 1846 as a turntable engine shed for the London and Birmingham Railway, by the mid-20th century it had become an important performing arts and concert hall that would be a favorite venue for such iconic bands and artists as Pink Floyd, Jimi Hendrix, Jeff Beck, Led Zeppelin, The Ramones and Motörhead. Suffice it to say, such a location is a prime outlet for one of Germany’s most ferocious purveyors of thrash metal to record their first live album following 2017’s “Live Antichrist” release. Relative to said release, Kreator’s latest foray into neck-ruining mayhem outside of the recording studio dubbed “London Apocalypticon – Live At The Roundhouse” ups the epic factor something fierce while sparing no expense in the aggression department…

In the wake of Napalm Death's long, decade-plus relationship with Earache Records, the legendary band and likewise legendary label partnered once more for Noise for Music's Sake, a double-disc collection of career highlights and miscellany topped off by some informative packaging…

It's no secret that there's a deep animosity between Van Halen – particularly their leader, guitarist Edward (formerly Eddie) Van Halen – and their former frontman, David Lee Roth. His 1985 departure was acrimonious, and while his solo career paled in comparison to Van Halen's continued success with Sammy Hagar as their frontman, the group never escaped the shadow of Diamond Dave…

A studio album by Roger Chapman is always an event. Since '66, when the British singer-songwriter emerged as the voice of his generation with the seminal Family band, through every twist of his four-decade solo career, Chappo's output has defied music industry protocol, challenged genre, and held up a mirror to the times. "I've never stopped writing," he reflects, "and with Life In The Pond, I felt the need to hear what I'd put down in music."