Face IN The Rain

Depending on the personal state of mind: rain can be perceived as unpleasantly wet or wonderfully refreshing. At all times and across all genres, composers and musicians have been dealing with rain. Bear Family Records delivers a wonderfully relaxed CD compilation that spreads good cheer in rain as well as sunshine with songs like Raindrops, Raindrops Keep Fallin' On My Head, Just Walking In The Rain, It Might As Well Rain Until September or Crying In The Rain. Stylistically, we cover a wide range from R&B, soul and blues to country, doo-wop and pop.

Multi-instrumentalist and visual artist Sarah Mary Chadwick is not a new face to Melbourne's music community. After moving to Australia from her native New Zealand to pursue a career in music, Sarah spent a decade fronting the grunge band Batrider. Eventually becoming tired of the collaborative requirements intrinsic to band life, Sarah shifted her focus to songwriting independently, drawing inspiration from “weird old New Zealand musicians” like Peter Jefferies, Chris Knox, and Australia’s Pip Proud and the way they tinker away and work for decades for “little to no commercial success.” This inspiration is obvious in Sarah’s performance as she simultaneously savors and mocks the pedestal that her creativity affords her, acknowledging that “it's a position of power being on a microphone” and how “it's a desperate demand to be seen. It's funny and really sad.”

Deluxe 13 CD box set from the veteran Greek composer and instrumental/electronic music pioneer. Delectus gathers together digitally remastered and expanded editions of Vangelis' seminal albums Earth, L'Apocalypse Des Animaux, China, See You Later, Antarctica, Mask, Opera Sauvage, Chariots of Fire, Soil Festivities and Invisible Connections, plus his collaborative recordings with Jon Anderson as Jon & Vangelis - Short Stories, The Friends of Mister Cairo and Private Collection. The mammoth collection includes all of his albums on Vertigo and Polydor, recently remastered for the first time ever under the legendary composer's own supervision…

Formed in 1973 in England, the Rubettes were originally organized as a session outfit by Wayne Bickerton of Polydor A&R. Inspired by the successes of Sha Na Na, Mud, and Showaddywaddy, they combined glam rock presentation (red and white suits with matching caps) with a rock & roll revival sound. Their first release, 1974's "Sugar Baby Love," was an instant smash, remaining at number one in England for five weeks while denting the U.S. charts at number 37 in August, and remains their best-known record. Subsequent releases would be less successful, but the band soldiered on and continued to tour on the nostalgia circuit well into the 2000s.

1985's Love displayed a marked improvement over the Cult's early material, and though it remains underappreciated in America (worldwide it was a smash), this exceptional record has actually aged better than the band's more notorious (and equally important) releases: Electric and Sonic Temple. Equal parts psychedelic hard rock and new wave goth, the songs on Love emanate a bright guitar sheen, tight arrangements, crisp drumming, and a command performance from vocalist Ian Astbury, who as usual says a lot more with less than most singers…