Jazz, flamenco, classical music and tango come together in this musical proposal created in 2004 by the cellist Jose Luis Lopez, saxophonist and flute player Ramiro Obedman and the piansita Pablo Suarez, who made his debut at the Singapore Arts Festival. And since then they have made multiple tours and edited three albums in their name.
The record includes recordings of monumental figures of cante and toque, such as Camarón de la Isla, Paco de Lucía, Bambino or Carmen Linares. It is a compilation of a variety of styles with recordings of recent years. The legend of time, the legendary Camarón record and one of the greatest landmarks in the history of flamenco, is the starting point of the album Pa saber de flamenco. It is an instrument to begin to know and to distinguish the different styles of this music.
Read and learn. PA SABER DE FLAMENCO 3 is a sample of the best flamenco in all ages, classic and contemporary. It is also a good choice, affordable and quality of the various moods of flamenco. It is also, as he read the classic slogan, a bunch of bottled Andalusia. For the listener to understand as a people worth celebrating and joy, tears and joy is expressed. In the voice of the top performers today as Paco de Lucia, flamboyant Prince of Asturias Prize, Tomatito, Manolo Sanlúcar and Carmen Linares. But not forgetting the classics of this art as Mairena, Caracol, Bambino, The Paquera de Jerez or Juanito Valderrama. Shrimp And of course, that has marked the development of contemporary flamenco. To learn, to know and to recognize, that is, recognize, rediscover. Because the world is already well known; what remains to be discovered are the emotions. The heart, our heart.
Excellent studio disc by this superb blues/rock axeslinger from Spain featuring 11 tracks - 57 minutes. Of outstanding, killer, dynamic, retro-70's heavy guitar mojo that includes Special Guest Guitar God Frank Marino rockin' the bloooooze. Javier Vargas is an awesome, blues-based axe ripper whose phat & sassy six string riffage is Highly recommended to fans of Hendrix, Trower, SRV, Santana & Clapton. Javier Vargas is a Spanish blues guitarist. Born in Madrid to Argentine parents who had emigrated to Spain from Buenos Aires, he founded the Vargas Blues Band in 1991, the year they released their first recording, All Around Blues. Since 1992, he has recorded on the Dro-Atlantic (Warner Music Group, Spain) label. He regularly tours Europe and Spain with his band and appeared at the 30th Anniversary Montreux Jazz Festival.
Flamenco jazz to flamenco to dry. 'Flamingo know Pa 2' is a collection of popular songs performed by pretty much outstanding names in flamenco, which is ideal for those who want to have at home a little bit of everything. Things Shrimp, Duquende, Paco de Lucía, El Lebrijano, Manolo Sanlúcar, Carmen Linares, Marina Heredia, Fosforito Snail Mairena.
This three-disc set comes nicely packaged with a 48-page booklet. It provides an interesting introduction to the art, although it is heavily weighted toward the ultra-modern style. Indeed, some of the material isn't considered flamenco at all by its performers. The first CD focuses on individual singers, and includes a great soleá by La Niña de los Pelnes, a blazing bulerías by Terremoto, and tangos by Jose Menese and El Indio Gitano. But beyond that nod to tradition, the emphasis is on New Flamenco. There's a soleá by Camarón and a fandango by Duquende, who follows Camarón's approach. The remaining eight cuts – by Lole y Manuel, Susi, Diego Carrasco, and others – are hot off the press, figuratively or literally.
With Soy Flamenco Tomatito felt free to browse an impressive variety of styles and forms that meet alternately or simultaneously, the spirit and the letter of flamenco. He is the composer from seven of ten tracks on this album which is flamenco today at its highest level.
Instrumental Quartet open to the sounds of the world. The Camerata Flamenco Project comes from the friendship and communication during the many years of work of their members touring around the world with big dance companies, orchestras and, above all, composing and performing for the theatre, where the project took shape naturally as chamber music …until it took a life of its own with certain features that make it not only absolutely original, but also so intense in its live appearances that it's very difficult to match.