The Paris Jazz Festival is a tradition in the jazz concert calendar with artists from around the world delighted to accept an invitation to perform.
The unique 1987 Paris Jazz Festival series not only captures some of jazz's finest innovators in concert but also the rehearsals for this prestigious event and candid backstage interviews with the artists. Swiss drummer Daniel Humair has worked with the best American and European jazz musicians.
This album explores the experience of foreigners in France. I see myself as belonging to a long genealogy of American artists who moved to Paris to escape the USA, a country that does not support its creators. Unlike my illustrious predecessors, I arrived in France during a pandemic that paralyzed the Parisian artistic scene. Paradoxically, the cancellation of live performances made it easier for me to collaborate with Parisian musicians and focus on composing. Rooted in the values and approaches of jazz, this album offers a musical view of Paris in the Covid-19 era. The ensemble’s direction, concept, and instrumentation is electronic and contemporary, using musical languages outside of the jazz tradition. Notably it mobilizes concepts from South Indian Carnatic music and North Africa. If French jazz musicians tend to mystify the New York and American music scene, having made the reverse journey, my music celebrates the mixing of culture that makes Paris a musical center.
The music on Charles Mingus' In Paris: The Complete America Session originally appeared on two separate LPs issued by America which were duly reissued by several labels as Reincarnation of a Lovebird (though not to be confused with the earlier album of the same title made for Candid). After a five-year layoff from doing any studio recording, Mingus was fully prepared for this 1970 session, with old hands Jaki Byard on piano, drummer Dannie Richmond, alto saxophonist Charles McPherson, and newer additions Bobby Jones (tenor sax), and Eddie Preston (trumpet) making up his sextet.