TOM WAITS - UNDER THE COVERS (THE SONGS HE DIDN T WRITE) While Tom Waits has been responsible for some of the finest compositions of the past 40 years, his regular interpretations - particularly when performing live - of songs written by others often remain as enticing and delightful as his delivery of his self-penned numbers. This splendid collection includes 24 such renditions, recorded live in concert for FM broadcast at various points in his career thus far. Including songs originally, or most famously, performed by artists and groups as eclectic and diverse as The Doors, James Brown, Peggy Lee, Ewan MacColl, Elvis Presley and many others, this CD will delight Tom Waits enormous fan base as it catalogues the very best of this skilled translator s readings of many great compositions.
At the age of 55, Johnny Yard Dog Jones finally had the opportunity to lead his first record date in 1996. Originally a gospel guitarist, Jones gradually made the transition to becoming a blues singer who also played harmonica and just a bit of guitar. His singing is likable and full of emotion as he explores a set of music that emphasizes 1950s-style Chicago blues, along with occasional soul ballads, but as it turns out, guitarist Johnny B. Moore unintentionally (and consistently) steals the show. A much stronger soloist than Jones, Moore's fiery statements are the main reason to acquire this disc; he is quite a powerhouse. Also on this worthy set are pianist Detroit Junior, bassist Bernard Reed and drummer Kenny Smith.
I Ain't Gonna Be Worried No More compiles 23 songs Sleepy John Estes recorded between 1929 and 1941, capturing the bluesman at the height of his creative powers. Unlike many Delta bluesmen of his era, Estes worked with a full jug band, which gave his music a greater variety of textures. His music swings, with a loose, relaxed feel that isn't heard on many Delta blues records. Furthermore, his songs are inventive, featuring pseudo-autobiographical lyrics loaded with evocative imagery. Nearly all of his best material is included on I Ain't Gonna Be Worried No More, making it as close to a definitive retrospective of Estes's music as possible.
R.L. Boyce’s Hill Country Blues is effortlessly transcendent and mesmerizing. Capturing the juke-joint, moonshine fuelled, picnic party life of Como, Mississippi, Boyce takes the listener through Saturday night and over that fine line that separates it from Sunday morning. This is god-fearing music on Mississippi terms.