Hans Winterberg grew up in Prague where he was one of a whole cadre of composers in the new Czech musical tradition. He is one of the few Jewish composers who survived the terror of World War II. His tale of survival is complicated and involved him, as a Czech Jew, having to seek refuge in post-war Germany, whereas contemporaries and colleagues like Viktor Ullmann, Erwin Schulhoff, and Hans Krása died in the concentration camps. He saw his music as “a bridge” between the Slavic East and the West and admitted at one point that his musical starting point was Schoenberg. Audibly more present than Schoenberg, however, is a central European Impressionism, synthesized with complex rhythms.
The case of the composer Hans Winterberg (1901–91) is a strange one. A survivor of the Terezín concentration camp, where he had been interned as a Czech Jew, after the War he settled in Munich as a German citizen, and his music enjoyed a number of broadcasts – but after his death, his estate disappeared into the vaults of the Sudeten German Music Institute, where it was placed under embargo, emerging only in 2015. This first album of his music reveals an unusual and individual voice, an idiosyncratic blend of Stravinsky, Janáček and Hindemith, with touches of Poulenc, often expressed with brittle humour and rhythmic verve.
Aufbrüche! is an important music documentation from the early years of the Umsonst & Draussen festivals - a quite famous trademark nowadays all over in Germany. It all began in 1975 with a one-day event in Vlotho/East Westphalia. Aufbrüche mirrors the years from 1975 to 1978 where most of the bands/artists can be filed under the label progressive rock - at least prog-related. The four discs are dominated by fusion and jazz rock oriented music. There are Embryo, Missus Beastly, Skyline, Out Of Focus, Hammerfest and many others interesting bands. 'Aufbrüche' is a worthy investment for all those who want to get an impression of the early German festival history which was dominated by progressive rock bands.