Released in late 1986, "Think Visual" is the first album the Kinks did for MCA Records. Arista Records seemingly sensed that the Kinks period of commercial renaissance was over following the dropoff in sales of 1984's "Word Of Mouth". Indeed, the sales dropoff continued with "Think Visual", but don't let that fool you. "Think Visual" is an engaging, spirited rock record that no Kinks fan should be without.
BMG follow up this years The Kinks The Journey release (from March this year), and continue the 60th anniversary celebrations, with Part 2, which will be available as a 2CD or 2LP package. Compiled by the band, this collection is curated “according to themes inspired by the trials and tribulations of their journey through life together as a band since 1963”.
Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face")…
Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face")…
The Kinks’, Muswell Hillbillies and Everybody’s In Show-Biz – Everybody’s a Star released through BMG in celebration of the 50th Anniversary. It combines two of the Kinks’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour.
The Kinks’, Muswell Hillbillies and Everybody’s In Show-Biz – Everybody’s a Star released through BMG in celebration of the 50th Anniversary. It combines two of the Kinks’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour.
Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face"). Still, the live record is just a bonus, no matter how fun it is, since the travelogue of the first record is where the heart of Everybody's in Show-Biz lies. Davies views the road as monotony - an endless stream of identical hotels, drunken sleep, anonymous towns, and really, really bad meals (at least three songs are about food, or have food metaphors)…