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Aljaž Farasin, Carlo Colombara, Diana Haller, Ivana Srbljan, Lucio Gallo - Gounod: Faust, CG 4 (1864 Version) (2019)

Aljaž Farasin, Carlo Colombara, Diana Haller, Ivana Srbljan, Lucio Gallo - Gounod: Faust, CG 4 (1864 Version) (2019)
FLAC tracks +booklet | 02:58:39 | 755 Mb
Genre: Classical / Label: Naxos

The international success of after its premiere in 1859 completely overshadowed all of Gounod’s subsequent operas. He had known Goethe’s masterpiece for two decades and brought to the text his gifts for memorable melody and rich orchestration. Added to this, the plot of Faust’s ageing and the heroine Marguerite’s redemption, offered the opportunity for the most spectacular stage effects. Heard here in its 1864 London version with an additional air and without spoken dialogue or ballet, Faust represents 19th-century French opera at its peak.
Christophe Rousset, Les Talens Lyriques, Véronique Gens, Andrew Foster-Williams, Benjamin Bernheim - Gounod: Faust (2019)

Christophe Rousset, Les Talens Lyriques, Véronique Gens, Andrew Foster-Williams, Benjamin Bernheim - Gounod: Faust (2019)
WEB FLAC (tracks) - 788 MB | Tracks: 47 | 173:58 min
Style: Classical | Label: Bru Zane

Gounod contemplated a Faust opera as early as his residence in Rome in the 1840s. But almost twenty years were to elapse before one of the most famous works of French Romanticism was premiered at the Théâtre-Lyrique (1859). Its debut at the Opéra in 1869 propelled the work into theatres all over the world, but numerous modifications were the price of achieving that fame.
Christophe Rousset, Les Talens Lyriques - Charles Gounod: Faust (2019)

Christophe Rousset, Les Talens Lyriques - Charles Gounod: Faust (2019)
EAC | FLAC | Image (Cue & Log) ~ 836 Mb | Total time: 55:59+49:57+68:32 | Scans included
Classical | Label: Bru Zane | # BZ1037 | Recorded: 2018

The masterpiece of French opera – Gounod’s ‘Faust‘ – still has surprises in store for us. Originally conceived in the spirit of opéra-comique, the 1859 score alternated between spoken dialogue and music, intermingling witty comedy and Romantic pathos. It is that ‘first Faust’ that the Palazzetto Bru Zane reveals in this recording, and particularly the many numbers that were subsequently deleted or altered.