Fake Work

Fake Names is almost exactly what you want from a supergroup made of members of Minor Threat and Bad Religion (guitarist/vocalist Brian Baker), Refused and The (International) Noise Conspiracy (singer Dennis Lyxzén), Fugazi and Rites of Spring (drummer Brendan Canty), S.O.A and Embrace (guitarist/vocalist Michael Hampton), and Girls Against Boys and Soulside (bassist Johnny Temple): loud, fast, in-your-face.

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Fiona Bruce and Philip Mould head to France to take on a testing challenge - can they reverse an art world decision which one owner refuses to accept? Two sketchbooks found in a garden shed in St Emilion were given to a teenage boy, Alain, by his grandmother back in 1965. Although she never revealed where they came from, they were thought to be the work of Henri de Toulouse-Lautrec, the aristocratic artist born in 1864 known for his atmospheric depictions of Parisian nightlife. Alain waited 50 years before he decided to present the sketches to the French committee responsible for authenticating the work of Toulouse-Lautrec.

The team try to find out whether a beautiful English landscape is a work of national importance - a lost masterpiece by John Constable and quite possibly an alternative view of his greatest work, The Hay Wain. Now owned by a Gloucestershire businessman, the painting appears to have all the hallmarks of Constable's sketches - his more impressionistic, preparatory works. If genuine, it could be worth at least £2 million. The trouble is, Constable is one of the most faked artists of the 19th century, and the painting has a chequered past.