Besides touring and recording with Little River Band, Peter found time to master many other fine accomplishments during the 90's. He released his first, and only, solo cd on Curb Records, self titled Beckett. This cd stood out as a classic of its time, offering a collection of pure AOR songs, released at a time when really good AOR albums were hard to find. The cd featured many outstanding musicians, such as Wayne Nelson, Dan Huff, Danny Johnson, Dennis Lambert, and Dave Amato, to name a few. Beckett, showed more of a harder rock edge with 'I Told You So', 'My Religion', and 'Brother Louie', but also brought the mood down with 'The Bottom Line', 'Hanging By A Thread', and 'Still Of the Night'. 'My Religion'was a favorite of Peter's and he was surprised to find out it was a minor hit in Germany and Japan, while he was touring with Little River Band at the time. He had no intention of touring to promote the BECKETT CD, but it did quite well and still is a favorite among AOR fans today. 'Brother Louie' was released in the US as a single.
The second song on Joe Ely's 2011 album Satisfied at Last is titled "Not That Much Has Changed," and it's hard not to think that sums up the album pretty well. That isn't an insult: Ely has been making records since 1972, he knows his craft well, and he's still one of the most consistently rewarding artists to come out of the Texas singer/songwriter community. His voice is in great shape on Satisfied at Last, he brings a genuine passion and soul to his performances in the studio, and his tales of outlaws and ramblers trying to make their way under the big sky of the Southwest are still resonant, intelligent, and down to earth. But while some Joe Ely albums find the man experimenting with his style or embracing a more ambitious concept, Satisfied at Last is 39 minutes of the man doing what he's been doing for a long time, and as a consequence, it's somewhat short on surprises…..
Features SHM-CD format and the latest 24bit 192kHz remastering. From late 1967 through 1968, Lee Morgan fronted a fine sextet with alto saxophonist Jackie McLean and the less-heralded tenor saxophonist Frank Mitchell. The group recorded The Sixth Sense, but by September of 1968, Morgan, Mitchell, and drummer Billy Higgins remained, the band revamped and reduced to a quintet. Where McLean's contribution was very telling in terms of the combo's overall sound, the quintet was able to further display the quiet confidence and competence Mitchell held.
Because more than half of the 35 songs on this two-disc retrospective of Marianne Faithfull's 1979-95 output come from her three great albums – Broken English, Dangerous Acquaintances, and Strange Weather – or are previously unreleased outtakes or B-sides from them, A Perfect Stranger: The Island Anthology makes a fine primer to Faithfull's often challenging, always mesmerizing (or would that be always challenging, often mesmerizing?) music…
In 2013, singer and songwriter Todd Snider formed Hard Working Americans, a roots rock/jam band supergroup featuring musicians who'd previously worked with Widespread Panic, Col. Bruce Hampton, Ryan Adams, Chris Robinson, Great American Taxi, and others. For their first album, Hard Working Americans recorded a batch of songs about work from other artists, but Rest in Chaos is their first full-length set of original material. Mixing humor with pointed social satire, Rest in Chaos finds Snider and his group tackling both darker moods and high-spirited rock.
Part of Tacet's "Tube Only" recording series. No transistors were used within the recordig chain.
Part of Tacet's "Tube Only" recording series. No transistors were used within the recordig chain.