Famous Artists

Celebrating 20 years of the Academy Award-winning film by Cameron Crowe, the Grammy® winning Almost Famous soundtrack is reissued as a deluxe 2CD with 35 songs from the film including Stillwater, Led Zeppelin, Fleetwood Mac, and many more. Unreleased songs: “Tiny Dancer (Almost Famous Version)” with Elton John & cast and the unique mix & edit for The Who’s “Amazing Journey / Sparks (Almost Famous Version).”

Universal Music are to release a five-CD super deluxe edition of the soundtrack to Cameron Crowe’s film Almost Famous (released in 2000). The semi autobiographical comedy drama follows the exploits of a young Rolling Stone journalist as he tours with the (fictional) band Stillwater. It was well-received at the time and won plenty of awards including a Best Original Screenplay Ocscar for Crowe.

You can't argue with a great concept: Songs sung by Frank Sinatra are interpreted by a slew of indie rock and punk bands. A great concept, but one that makes for truly (and gloriously) unpredictable results. Chairman of the Board is, of course, not a perfect record, but it offers up some true gems.

Hava Nagila, man erkennt es sofort, als musikalische Blaupause für alles Jüdisches, als eine fröhliche Party-Melodie, zu der man auf Hochzeiten, Bar Mitzvahs und sogar bei Major League Baseball Spielen tanzt. Es produziert ein wehmütiges Lächeln, Erinnerungen an vergangene Generationen… Aber der Song ist viel mehr als ein kitschiges jüdisches Märchen und schlechte Bar Mitzvah Mode. Es enthält eine komplette historische Konstellation, Werte und Hoffnungen für die Zukunft. Auf seine ganz eigene »Glaub-Es-Oder-Nicht« Art und Weise, schließt »Hava Nagila« die gesamte jüdische Reise der letzten 150 Jahre ein. Es entfesselt zudem die gesamte Kraft eines Liedes, Identität ausdrücken und bewahren zu können und Lehren zwischen Generationen auszutauschen sowie kulturelle Unterschiede zu überbrücken und uns alle auf einer universellen Ebene zu vereinigen…

Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.

Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.

Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.