Fancy

Esoteric Recordings are pleased to announce the release of an expanded 2CD re-mastered edition of the classic 1977 album A Major Fancy by Barclay James Harvest guitarist and vocalist John Lees. Although originally released in 1977 by EMI’s Harvest label, the album was recorded between December 1972 and January 1973 at Abbey Road studios and Strawberry Studios in Stockport. Produced by Wally Allen of the Pretty Things, the album sessions featured a host of notable guest musicians including Eric Stewart and Kevin Godley (of 10cc), Skip Allen (Pretty Things), Gordon Edwards (Pretty Things) and Rod Argent (Zombies & Argent)…

Second Helping brought Lynyrd Skynyrd mass success and for the follow-up they offered Nuthin' Fancy. It was a self-deprecating title for a record that may have offered more of the same, at least on the surface, but was still nearly peerless as a Southern rock record. The biggest difference with this record is that the band, through touring, has become heavier and harder, fitting right in with the heavy album rock bands of the mid-'70s. The second notable difference is that Ronnie Van Zant may have been pressed for material, since there are several songs here that are just good generic rockers. But he and Skynyrd prove that what makes a great band great is how they treat generic material, and Skynyrd makes the whole of Nuthin' Fancy feel every bit as convincing as their first two records.

The sparkling overture to Leonard Bernstein's 1956 musical Candide immediately found a prominent place in concert programmes all over the world and is now one of his most frequently performed pieces. Many of Bernstein's best-loved works drew inspiration from the city of New York, and this is true both of the three sailors pursuing female conquest in the ballet Fancy Free, and of the rip-roaring swing rhythm and big tunes from the musical Wonderful Town. Bernstein celebrated his friends and family with his Anniversaries - piano vignettes heard here for the first time in colourfully expanded orchestrations. Marin Alsop's long association with Bernstein gives her unique insights into his music.

On his debut album (titled An Old Raincoat Won't Ever Let You Down in Britain, and The Rod Stewart Album in America, presumably because its original title was "too English" or cryptic for U.S. audiences), Rod Stewart essays a startlingly original blend of folk, blues, and rock & roll. The opening cover of the Stones' "Street Fighting Man" encapsulates his approach. Turning the driving acoustic guitars of the original inside out, the song works a laid-back, acoustic groove, bringing a whole new meaning to it before escalating into a full-on rock & roll attack – without any distorted guitars, just bashing acoustics and thundering drums. Through this approach, Stewart establishes that rock can sound as rich and timeless as folk, and that folk can be as vigorous as rock.

Fancy - in 1984 he managed with the single Slice Me Nice the commercial breakthrough. Then other songs followed, like Chinese Eyes, Get Lost Tonight and D. I.S.C.O. which also became all hits. With these songs he also stamped his own music style. The „Maschinen beat “ became his brand name. Also the fact that he always appeared strongly as made up made him unmistakeable. He had his biggest hits beside Chinese Eyes in Germany, among the rest, in 1986 with lady of Ice and in 1988 with Flames Of Love.

Fancy (Manfred Alois Perilano) is a German Italo disco singer who was popular in the mid to late 1980s. This CD was released on the 25th anniversary of creative activity Fancy… "I was able to help some artists on their way to success with my compositions and as a producer, and I got to know other artists when they were already world stars."

The first notes of the descending chromatic theme break the silence and it seems as if time has stopped. The listener is drawn into the world of John Dowland, the greatest lutenist of all, in a journey through multiple shades of melancholy and lucent hope. Never before had the lute sounded as expressive and colourful as in these masterful Fancies, as dynamic as in these sparkling dances: Renaissance lute music here reached its summit. Bor Zuljan explores these qualities in his debut solo recording, breathing new life into Dowland's masterpieces.