"Why present just Handel's Coronation Anthems for King George II when you can present the whole Coronation?" seems to be the proposition that underlies this two-disc set, entitled The Coronation of King George II, 1727. And, thrillingly performed by Robert King directing the King's Consort and the Choir of the King's Consort, there seems no good reason not to, and every good reason to, do just that. King, who has led many stirring recordings of Handel's oratorios in his time, turns in splendid performances of the four Coronation Anthems, along with superb performances of ceremonial choral music by Tallis, Purcell, Gibbons, Blow, Farmer, and Child.
If you want a good sampling of Copland's orchestral works, then this 2-CD compilation comes highly recommended, with excellent performances of works such as Appalachian Spring, Quiet City, El Salón México and others. (Presto Classical)
Louis XIV (1638-1715) was the personal embodiment of France and he loved to dance. The king himself was a fine dancer and had many opportunities to demonstrate his skill at the multiple dance balls given at Versailles. Michel Pignolet de Montéclair’s ‘Sérénade en Concerts’ is a collection of dances probably written for one such occasion.
No other account quite rivals the grandeur or the thrill of discovery of Ogdon's.The Gramophone
Jean-François Dandrieu was born in August or September 1682 on rue Saint-Louis, Île de la Cité, Paris. He was the eldest of at least four children and showed such musical precocity that it is reported he played the harpsichord for Louis XIV and his court at the age of five. It can be assumed that his reputation led to great demand for his services as a performer, since he travelled outside Paris as a musician on several occasions. He was not the first musical Dandrieu: his uncle, Pierre, trained as a priest and organist in Angers. It is possible that it was he who organised Jean-François’s studies with the harpsichordist and composer Jean-Baptiste Moreau, a fellow Angevin and near contemporary.