Fats Domino Live at Tipitina's

The Invisible Touch Tour, Genesis' biggest ever, coincided with the release of that album, which went on to be certified 6 x platinum by the RIAA. With a string of sold-out arena shows, the band was cast into the same league as concert stalwarts like the Rolling Stones and Grateful Dead.

The great avant-garde jazz reedman David Murray, deftly captured on video one brilliant night at New York's jazz mecca, the Village Vanguard…

Cecil Taylor has never compromised his ideals, and this recording is no exception. During the course of more than one hour, Taylor and his quartet perform only one piece, but do it with such exquisite finesse that it incorporates dozens of shades and styles of expression…

Released on DVD, Blu-ray and CD, the film and audio of the show ‘Inner Sanctum’, filmed at London’s Royal Opera House during a sold-out run in 2018. Staged by designer Es Devlin and choreographer/director Lynne Page, the show was filmed by director David Barnard and will be released on 12 April 2019. The full-length film on DVD and Blu-ray is accompanied by two CDs of the complete audio of the live show.

Recorded at the start of the band’s Tranquility Base Hotel + Casino tour, Arctic Monkeys - Live At The Royal Albert Hall, features 20 of the band’s finest moments to date.

For many serious jazz fans, no pianist has ever approached the technical mastery of Art Tatum, though his virtuoso skills usually meant he was at his best unaccompanied. Many of his recordings from the 1930s and '40s were limited by the deficiencies of recording methods at the time. Piano Starts Here, long considered one of Tatum's definitive albums, combined four solos from a 1933 studio session (his first as a soloist, aside from a test pressing a year earlier), and a fabulous solo concert at the Shrine Auditorium in 1949 (the latter issued as an Armed Forces Radio Service 16" transcription disc), which has been reissued many times over the decades…

Duke Ellington's concert at the 1959 Newport Jazz Festival lacked the excitement and adventure of his appearances in 1956 and 1958. Ellington and his orchestra played their usual program of standards and features with the 14-and-a-half-minute "Idiom '59" being introduced…