Fault From No.21

All credit to DEVIN TOWNSEND – the general disarray of the pandemic has done nothing to hamper his high levels of productivity, both releasing new material online and hosting a number of livestreams throughout the last year. As the second official release in his Devolution Series (itself a catalogue of both quarantine activities and material from the vaults), Galactic Quarantine documents one of those aforementioned livestream concerts. Making up for the understandable cancellation of the Empath Vol. 2 tour – one intended to focus on the heavier side of Townsend material – Galactic Quarantine sees ‘Hevy Devy‘ accompanied by a fierce trio of metal musicians to deliver a semi-live performance of metal that skirts mostly between prog and extreme…

This series of eleven church anthems is a sterling example of doing more with less. Though their format is multiple movements for soloists and chorus and inviting of grand treatment, Handel had available only a couple of oboes and a small string band and choir (with no violas or altos for nos. 1-6). Yet each one of these anthems is a gem. Handel's music captures well the changing moods of the Psalm texts–from somber penitence to serene bliss to infectious joy to the raging of storms and seas. Though Bowman's arias lie uncomfortably low for him, he and George do fine work; Lynne Dawson, Patrizia Kwella, and Ian Partridge are delightful. Harry Christophers leads his choir and orchestra in subtly inflected and beautifully paced performances.

Connie Lush is widely recognised as one of the finest blues singers that the United Kingdom has ever produced. This is the latest album from Connie, Terry and the latest members of the band. Connie is on great form and Terry is solid as usual, what a top bass player he is. The new guitarist is a real find and the drummer is not too shabby either. The production, recording and mastering is excellent and puts some larger studious to shame.