A finely crafted selection of easygoing mid-tempo funk numbers and soul ballads, Philadelphia vocalist Brandi Wells' debut album is one of the strongest in the WMOT catalog. The Top 40 R&B hit "Watch Out" is good, but there's a lot better in the moody swayer "I Hate to See You Go"; the bright, Motown-influenced track "Falling in Love"; and the album's second single, "What Goes Around Comes Around." Wells' gliding style combines influences of Deniece Williams' soprano tenderness with Phyllis Hyman's alto tenacity, but the phrasing and tone are distinctly her own. She conveys power without needing dramatic belting, with sensitivity barring excessive delicacy. Unfortunately, the masters were not preserved well, as CD reissues by both Unidisc and Hot Productions lack a certain crispness.
A rare gem from one of the greatest blues duos in the history of music, vocalist Junior Wells and guitarist Buddy Guy! This live recording has long circulated among hardcore blues afficionados but gets it's first ever complete release here! 2 discs of the grooviest, most dynamic blues playing you'll hear all year including such memorable classics as "Hoochie Coochie Man," "Snatch It Back And Hold It," "Messin' With The Kid" and lots more!
Cut at the 1974 Montreux Jazz Festival with Stones' bassist Bill Wyman anchoring the rhythm section, the set captures some of the ribald musical repartee that customarily distinguished the pairing of Buddy Guy and Junior Wells, though they certainly break no new ground as they roll through their signature songs.
Considering the troubled background of this album (Eric Clapton, Ahmet Ertegun, and Tom Dowd only ended up with eight tracks at a series of 1970 sessions in Miami; two years later, the J. Geils Band was brought in to cut two additional songs to round out the long-delayed LP for 1972 release), the results were pretty impressive. Buddy Guy contributes dazzling lead axe to their revival of "T-Bone Shuffle"; Junior Wells provides a sparkling remake of Sonny Boy's "My Baby She Left Me," and Guy is entirely credible in a grinding Otis Redding mode on the Southern soul stomper "A Man of Many Words."
An explosive double live album from the original Blues Brothers tearing up the stage in a vintage 1984 performance This concert comes jam-packed with guitar and harmonica solos galore plus some of the duo’s best performances of “Just A Little Bit,””Got My Mojo Working,” “Messin With The Kid,” and more! Come for the killer performances and solid gold blues, stay for the hilarious banter offered up by magnetic showman, Junior Wells!
Cut at the 1974 Montreux Jazz Festival with Stones' bassist Bill Wyman anchoring the rhythm section, the set captures some of the ribald musical repartee that customarily distinguished the pairing of Buddy Guy and Junior Wells, though they certainly break no new ground as they roll through their signature songs.
Beauty, purity, and expressivity mark out music for upper voice choirs. On this recording, performed by one of the UK’s leading vocal ensembles, the repertoire embraces classics of the genre such as Gustav Holst’s sublime Ave Maria and his third group of Hymns from the Rig Veda, as well as contemporary music. James MacMillan and Sir John Tavener are represented by works that explore their unique musical language, whilst Bob Chilcott’s technically demanding The Song of the Stars offers richly approachable pleasures.
Limited pressing housed in Japanese mini LP sleeve packaging with obi strip. Digitally remastered edition of this classic '60s Soul release. For years, Motown was always referred to as the most influential Soul label of the '60s. However, one cursory glance at Atlantic's vast catalog of '60s Soul releases proves that Atlantic may have had the edge in regards to it's roster of influential talent. This remaster is just one in a series of Japanese Atlantic Soul and R&B reissues that comes housed in a min LP sleeve, which replicates the excitement of opening the album back when it first came out!