Feeing The Machine

There’s a point just past the halfway mark on “Shake It Out,” the rousing first single from Florence + the Machine's second studio release, when the swelling guitars, organs, and strings, staccato percussion, and Florence Welch's air-raid siren of a voice lock up in a herculean battle over which one is going to launch itself into the stratosphere first. It’s a contest that plays out at least once on each of Ceremonials' immaculately produced 12 tracks. Such carefully calculated moments of rhapsody would dissolve into redundant treacle in less capable hands, but Welch does emotional bombast better than any of her contemporaries, and when she wails into the black abyss above, the listener can’t help but return the call. Bigger and bolder than 2009’s excellent Lungs, Ceremonials rolls in like fog over the Thames, doling out a heavy-handed mix of Brit-pop-infused neo-soul anthems and lush, movie trailer-ready ballads that fuse the bluesy, electro-despair of Adele with the ornate, gothic melodrama of Kate Bush and Floodland-era Sisters of Mercy.

Ghost Of The Machine formed in January 2021 when five former members of This Winter Machine - Graham Garbett (guitars), Mark Hagan (keyboards and piano), Stuart McAuley (bass, Moog pedals and Mellotron), Andy Milner (drums) and Scott Owens (guitars) - joined forces with Charlie Bramald (flautist for Nova Cascade, and former lead vocalist for all-eras prog tribute Harmony of Spheres). Taking the best elements from their previous endeavours and key influences such as Rush, Marillion and Genesis, while pushing forward in a heavier, adventurous and exciting direction, Ghost Of The Machine spent it's first year writing and recording Scissorgames.