Fela Ransome Kuti And The Africa'70 With Ginger Baker

To celebrate the 50th anniversary of Fela Kuti's classic Open & Close, Knitting Factory Records is pleased to announce the first vinyl pressing since the 1980s. This edition features a return to the original gatefold jacket and will be pressed on red and yellow butterfly effect vinyl. Limited edition of 7000.

Georgia Blue is a labor of love. On election day 2020, when I saw that there was a good chance the state of Georgia might go blue, I came up with an idea: to record an album of Georgia-related songs as a thank you to the state and donate the money to a Georgia based non-profit organization.

Digitally remastered and expanded two CD edition of this ground-breaking 1970 album. This deluxe edition features six exciting performances from what was to be Derek And The Dominos' second album plus all four audio performances from Derek And The Domino's sole, historic television appearance on The Johnny Cash Show, November 9, 1970. Also features two tracks produced by Phil Spector in early summer 1970 and the outtake "Mean Old World".

Don't Want to Go Home was the first album by New Jersey rock/R&B band Southside Johnny and the Asbury Jukes. The work helped establish the basis of the Jersey Shore sound. It was produced and arranged by manager Steven Van Zandt, who also sang, played guitar, wrote the title song, and elicited the contribution of two compositions by Bruce Springsteen, who also wrote the liner notes.

I Don't Want to Go Home was the first album by New Jersey rock/R&B band Southside Johnny and the Asbury Jukes. The work helped establish the basis of the Jersey Shore sound. It was produced and arranged by manager Steven Van Zandt, who also sang, played guitar, wrote the title song, and elicited the contribution of two compositions by Bruce Springsteen, who also wrote the liner notes.

his Time It's for Real is the second album by New Jersey band Southside Johnny and the Asbury Jukes, featuring three compositions by Bruce Springsteen and Steven Van Zandt, as well as an additional five by the latter. Like their first album, I Don't Want To Go Home, there are a number of guest artists and duets, a trend that would be dropped for their next album, Hearts of Stone. "Check Mr. Popeye" features Kenny "Popeye" Pentifallo on vocals with The Coasters on background vocals. The track "First Night" features the Satins on background vocals and Steven Van Zandt on duet vocals. "Little Girl So Fine" features background vocals by the Drifters.

Don't Want to Go Home was the first album by New Jersey rock/R&B band Southside Johnny and the Asbury Jukes. The work helped establish the basis of the Jersey Shore sound. It was produced and arranged by manager Steven Van Zandt, who also sang, played guitar, wrote the title song, and elicited the contribution of two compositions by Bruce Springsteen, who also wrote the liner notes.

This Time It's for Real is the second album by New Jersey band Southside Johnny and the Asbury Jukes, featuring three compositions by Bruce Springsteen and Steven Van Zandt, as well as an additional five by the latter. Like their first album, I Don't Want To Go Home, there are a number of guest artists and duets, a trend that would be dropped for their next album, Hearts of Stone. "Check Mr. Popeye" features Kenny "Popeye" Pentifallo on vocals with The Coasters on background vocals. The track "First Night" features the Satins on background vocals and Steven Van Zandt on duet vocals. "Little Girl So Fine" features background vocals by the Drifters.

Growing up in middle-class suburban Pennsylvania, Jen Pague looked around at the routine of family life and rejected it in full. The suburban isolation, the lack of culture, the white picket fences: “I didn’t want to be part of it in any capacity,” Pague says. “Even from a very young age. I wasn’t going to do what my parents did.” So she started a band.

This is the long awaited follow-up to The Devil And The Almighty Blues' highly acclaimed self-titled debut album, and these guys have not gone astray! The album 'II' gives a peep through the pinhole at a band's honest, dark and pure expression, drawing influences from the original delta blues via the electrical revolution in the late sixties/ early seventies, to the more contemporary desert scene.