Fernando Fernandez

Esta adaptación libre pero fiel del texto de Bram Stoker fue publicada por capítulos en el año 1982 en la versión española de la revista “Creepy” recibiendo el premio de los lectores a la mejor obra.

The pinnacle of Renaissance music and its practice was forged in an incessant coming and going, a constant journey of musicians and musical chapels through courts or noble, royal, ducal, and papal houses throughout Europe. From the Middle Ages to the Renaissance, musicians from far and wide gathered in Flanders to catch up on musical material, sent by kings, dukes and counts from all over Europe. Some musicians called these gatherings “the schools.” These meetings served, in addition to learning things about their Art, as a kind of market for musicians. Musicians from the Franco-Flemish regions brought their polyphonic compositions and most refined musical skills to other countries like Italy or Spain.

The pinnacle of Renaissance music and its practice was forged in an incessant coming and going, a constant journey of musicians and musical chapels through courts or noble, royal, ducal, and papal houses throughout Europe. From the Middle Ages to the Renaissance, musicians from far and wide gathered in Flanders to catch up on musical material, sent by kings, dukes and counts from all over Europe. Some musicians called these gatherings “the schools.” These meetings served, in addition to learning things about their Art, as a kind of market for musicians. Musicians from the Franco-Flemish regions brought their polyphonic compositions and most refined musical skills to other countries like Italy or Spain.

The pinnacle of Renaissance music and its practice was forged in an incessant coming and going, a constant journey of musicians and musical chapels through courts or noble, royal, ducal, and papal houses throughout Europe. From the Middle Ages to the Renaissance, musicians from far and wide gathered in Flanders to catch up on musical material, sent by kings, dukes and counts from all over Europe. Some musicians called these gatherings “the schools.” These meetings served, in addition to learning things about their Art, as a kind of market for musicians. Musicians from the Franco-Flemish regions brought their polyphonic compositions and most refined musical skills to other countries like Italy or Spain.

Hermano Lobo fue una revista española de humor fundada el 11 de mayo de 1972, con Chumy Chúmez como principal impulsor, inspirado en el semanario francés Charlie Hebdo.