Fernando Flores

Leonardo García Alarcón's 2011 recording of Michelangelo Falvetti's 1682 oratorio Il Diluvio Universale is a reminder, if one were needed, that there are untold treasures of Baroque repertoire waiting to be discovered. The story of The Flood is told economically, but with enough peculiar diversions from the Biblical story to keep listeners on their toes about what's going to happen next. There are personifications of Divine Justice, Human Nature, Water, Fire, Land, and Death (a smugly self-satisfied character who sings a triumphant, gleeful little gigue once humanity has been wiped out).

Rocío Jurado - Las Primeras Grabaciones que le hicieron triunfar (2015) {2CD Set Novoson JSD-47094-1/2 rec 1962-1966}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 638 Mb | MP3 @320 -> 275 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb | 5% repair rar
© 1962-66, 2015 Novoson | JSD-47094-1/2
Flamenco / World Music / Spain

The first recordings made by Rocío Jurado of flamenco that made her succeed before she became the extraordinary copla interpreter. They are recordings of the period 1962-1966. Las primeras grabaciones que hizo Rocío Jurado de flamenco y que le hicieron triunfar antes de convertirse en la intérprete extraordinaria de copla. Son grabaciones del período 1962-1966.

Firmly established as a national icon in Spain, due to her singing talent and recording career as well as her famed bloodline, Rosario took the time with her seventh album, Parte de Mí, to pay tribute to some of her greatest musical influences. Collaborating once again with producer Fernando Illán, a fruitful working relationship that goes all the way back to her debut album, De Ley (1992), Rosario handpicked 11 of her all-time favorite songs for Parte de Mí, an understated album on which contemporary pop flourishes are thankfully left alone.