Kai Hansen formed Helloween in 1984, playing guitar and singing on the speed metal band's first four albums. He left in early 1989, however, and founded Gamma Ray with vocalist Ralf Scheepers (formerly with Tyran Pace). The duo intended to record a one-off project that Hansen originated while in Helloween, so they recruited bassist Uwe Wessel, drummer Matthias Burchardt, and several other musicians…
In 2008, Trio X conducted a tenth anniversary tour, all of it recorded by the master engineer, Marc Rusch. And now the music from that tour is preserved in a magnificent 5-CD set: Trio X Live on Tour 2008. Those who have followed Trio X over the years will find this both familiar and fresh and will rejoice in the pleasures of this new release. Program notes for the complete set are written by Producer Bob Rusch, and address the music and each venue (Colgate University; Edgefest [Ann Arbor, MI]; University of Illinois at Urbana [Champaign, IL]; Waukee, Iowa; Davenport, Iowa [PolyRhythms]; Bowling Green State University [Bowling Green, OH]; and Hamilton College). Great music, state of the art audio, photos, and insights all wrapped up in one delicious package.
A saxophonist of a different order—part griot, theorist, numerologist, and incessant seeker of knowledge— Steve Coleman continues to forge new paths in creative music. He's influenced more of today's forward thinking artists than almost anyone in recent memory with his proven M-Base concepts. His critically acclaimed 2010 recording, Harvesting Semblances and Affinities (Pi Recordings), was a welcome return to the spotlight, and the follow-up, The Mancy of Sound , is even more rewarding.
One of the great free jazz tenor saxophonists, Frank Wright was a high-energy player with a large tone and a style that made him often sound possessed. On this previously unissued ESP set, he is joined by pianist Bobby Few (who during the latter part of the set hints at his roots in more mainstream jazz), the virtuosic bassist Alan Silva and the powerful drummer Muhammad Ali at the 1974 Moers Jazz Festival. The two selections are continuous, never run out of intensity, and feature some intense playing, particularly from Wright and Ali. Free jazz collectors will definitely want this powerful performance.